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Man of Steel Exclusive Action Figure Gift Set (Blu-ray)
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Red vs. Blue: RVBX: Ten Years of Red vs. Blue (Blu-ray)
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Flatliners (Blu-ray)
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Man of Steel Limited Collector's Edition (Blu-ray)
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Batman: The Dark Knight Returns (Blu-ray)
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Nymphomaniac: Volumes I and II (Blu-ray)
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Anaconda (Blu-ray)
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Hidden Kingdoms (Blu-ray)
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Sin City (Blu-ray)
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Godzilla (Blu-ray)
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Tropic Thunder (Blu-ray)
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3 Days to Kill (Blu-ray)
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The Shawshank Redemption (Blu-ray)
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RoboCop (Blu-ray)
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The Bourne Legacy (Blu-ray)
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Star Trek: The Next Generation, Season 6 (Blu-ray)
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freedomland freedomland is offline

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Showing Visitor Messages 1 to 4 of 4
  1. kiskiboy97
    02-17-2012 11:56 AM
    kiskiboy97
    Which specifications are you looking for? I don't have the Pathe disc so I can't be of any help in a direct comparison.
  2. pro-bassoonist
  3. steel_breeze
    02-14-2012 03:38 AM
    steel_breeze
    My "just joined" status would not allow me to respond to your private message, so I'm leaving my answer here:

    I agree there's something missing when it comes to digital versus 35mm film. Organic grain is a beautiful thing, and I lament that it's passing into history. At the same time, I make my living as a cinematographer who has to keep up with the latest technology.

    My film background has made the transition quite easy. The great thing about the new generation of digital cameras (like RED, Arri Alexa, Sony F65...) is that they record in either "raw" or "log" format. This captures a great deal of latitude from black to white, which can be manipulated in color correction like a film negative. I often refer to these formats as "digital film stocks", and I end up working very much the same way that I would if I were shooting film.

    Hope this answered some of your questions; thanks for your interest!
  4. MichaelR
    02-13-2012 01:40 PM
    MichaelR
    Thanks! I've added it.

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