To quote Louis Jourdan from the classic Return of the Swamp Thing: "Laughter is best".

Yeah, I know about the textures. Seems like we're all fans of the faux leather look. I'm going to have to stop using it now. It's been done.

Let's see, there was stone texture for my Ben-Hur, Dirt texture for Terror in the Aisles, Rust texture for Punisher, Hide texture for the Conans, what's left? I miss the omnipresent starfield backgrounds from the 80's. I may have to bring that back :)

I just noticed the similarities between your set and my first set. I assure you it was wholly coincidental. Great minds and all that....

It's a great looking set and I wish you'd reconsider.

Am I to take it you were soliciting offers for the set? Unsuccessfully?

Most of my stuff have been for fan edits. These would have been to share/ replace the BD versions. I may complete them if I find a fan edit that would require me to purchase these, but use the covers for those edits.

I always end up with the textured look. Kind of a signature, I guess.

Great minds indeed, but still... I don't get overprotective if others use my work as inspiration. :)

You have some GREAT work, BTW!

:( Was looking forward to your set, but understandable.

There are several in this thread. It was actually searching for a replacement cover for the BTTF trilogy that got me interested in custom cover design. I think that the box the trilogy was sold in was one of the worst examples of packaging out there.

Curious if anyone will be doing customs for these: thx

Attachment 37421 Attachment 37422

Simple, but effective. :D

So I dont know what I'm doing wrong but when I print out a cover it doesn't quite fit..the width and height are a bit short

A buddy asked me to do a custom on The Green Mile. I just started but I got to ready another screener for my film, so this will be all for tonight. I still have to fix all the credits on the back and stuff.

http://img585.imageshack.us/img585/528/greenmile.jpg

Struzan should never be relegated to the back cover... unless he's also on the front! ;) Good start, but please make all of your logos and the front text smaller.

Alternative. I think the front cover it's too crowed

http://img13.imageshack.us/img13/6564/final4ku.png

Download Undercover XP. Drag the jpeg into the window, be sure to check Blu-ray and then send it to print. The program sizes the cover to fit.

Been busy acquainting myself with the pen tool. I found a high resolution copy of "The Living Daylights" poster (1497 x 2277 pixels) on a site that specializes in high resolution posters. This has always been one of my favorite 007 posters since seeing it displayed in theaters back in 1987, so I decided to give the Photoshop pen tool a run for its money:

http://img829.imageshack.us/img829/5...ightsposte.jpg


Incidentally, those of you who expressed an interest in the "Flash Gordon" custom cover and I know there's a few of you. I received a high resolution copy of the poster cover art (2134 x 2626) from the same poster site mentioned above and am reworking the cover, I might also search out some high res images for the top of the back cover:

http://img88.imageshack.us/img88/377...uraytempla.jpg

Thanks man, i'll keep an eye out! :)

I think using the menu graphic is a great idea. Perhaps even better if you were doing individual covers?

Still, the image seems terribly off-balance with the ship split up across the front, spine and back. Are you Photoshop savvy enough to take it out and move it more to the center of the front? I'd be more than happy to do it for you if you like? I'd repaint the hole in the background and put the ship on a separate layer so you could place it freely. Just let me know.

I agree that you don't need anything more on the front, your first version was better.

Looking forward to seeing more of your work.

What exactly do you use the pen-tool for? Clipping out the black?

If so I have found several other methods in Photoshop that could yield faster (and better) results.

This took 12 minutes, including opening and saving the file (Yes, I timed myself), and it's on a transparent layer, ready to be composited seamlessly into any background. It could use some refinements on the palm trees, but otherwise it's fine. Just compare the edges along the streaks under the car, and the top of the smoke plume on the top right. The pen tool isn't the best choice for this kind of work.

http://img195.imageshack.us/img195/6...gdaylights.jpg

I'll do a little How-to tomorrow, right now I'm too knackered. (It's past midnight, local time).

I'd be intrigued to learn how you did that so fast.

I was able to do the below in 20 minutes using background eraser which is a lot faster than the pen, but the results were less than impressive :(

http://img193.imageshack.us/img193/8...ightstesti.jpg

I apologize in advance for straying off-topic. This will be my first and only tutorial in this thread.

Here's one way of erasing single-coloured backgrounds against complex shapes like starfields, explosions etc.

I stress that there is no single right way to do anything in Photoshop. I believe it's actually a strength of the program that many roads lead to rome. This is just the way I do it. I'm assuming at least basic knowledge of layers and masks in Photoshop.

Taking the Living Daylights poster as an example.

http://img835.imageshack.us/img835/4774/ldoriginal.jpg

Make sure you have the Layer Palette open.
First copy the layer so that you have two identical layers of the poster.
(Layer-> Duplicate Layer)

Turn off the top layer (Click the eye-icon) and activate the bottom one. Unlock it by double-clicking so that it becomes "Layer 0".

Go to Select -> Color Range. A new meny shows up. Use the eyedropper tool to select the black area in the preview window and set fuzziness to 150 (whatever seems to encompass all the blacklevels in the poster.)
Click OK.

You should now be left with an active selection (marching ants) around every black pixel in the image.
I usually feather this selection (Select-> Modify-> Feather) by 1 pixel to make the edges smoother.

Leaving the selection active, go to Layer-> Layer Mask-> Reveal all.
The layer mask thumbnail should be visible next to "Layer 0" in the Layer Palette.

Use the Paint Bucket tool to fill the selection with black.
Deselect (Control D)

Now you're left with a version of the poster with no black in it at all:
http://img535.imageshack.us/img535/4...ransparent.jpg

But we want to reinstate the black in the actual image. That's where the duplicate layer, "Background Copy" comes in.

Activate the "Background Copy" layer again (Click the eye-icon).
Click Layer-> Layer Mask-> Reveal All.

Using a large brush, 0% hardness, manually paint the mask around the edges of the image so that the underlying layer (The no-black layer) comes through, leaving the center of the image alone. It's an artistic call where you paint out the blacks or not. The good thing about layer masks is that you can add or subtract to them indefinitely, without destroying any of the underlying image.

Here's a work-in-progress:

http://img155.imageshack.us/img155/8...ansparent2.jpg
When you're satisfied, all you do is merge the two layers
(Shift-click both layers in the Layer Palette, right-click and choose Merge Layers in the drop-down menu. Don't use Flatten Image because you'll lose the transparency. Erase the writing either before or after you merge.
You are now left with this:
http://img36.imageshack.us/img36/893...ansparent3.jpg

Drag 'n drop into your cover or save as a separate PSD-file for future use.

I actually left the ship split up on purpose like it was emerging from somewhere but you are right it is off-balanced with those huge gaps of sky and water on the right.

Thanks for the offer. I went the easier route. What about now? ;)

http://img718.imageshack.us/img718/9338/final4p.png

Dude, Nissen, this tutorial was BADASS, thanks... I'm sure other amateurs not just me really appreciate this...