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Harold and Maude is good. Unlike some people here I saw it when I was around seventeen and liked it just fine. Not a first day-er though. I'll pick it up during the B&N sale, along with Godzilla and maybe Three Outlaw Samurai.
I agree the complaining can be a nuisance. Criterion releases a lot of interesting stuff and can't please all the people all of the time. Plus there are other quality companies out there. You can buy from them sometimes.:) |
Maybe Harold and Maude for me from this batch. May look into Alambrista.
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Godzilla is the most popular film Criterion has released on dvd or blu-ray, and that came out this year. Just because they are FINALLY releasing more "obscure" (or should I say "new to dvd") titles (haven't seen this much since 09' btw), doesn't mean they are not going to release those good ol' movies that has had releases already. If people are really complaining about experimental films, or some of the best films from a country like those Czech films, maybe Criterion is only for you when you want something re-released with "cool" cover art? |
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Which is fine, btw. Pale Flower, Kes, People on Sunday and Naked were all pretty 'meh' when I first heard of them and those worked out pretty okay. Expanding my interest zone is a big part of what keeps me coming back. |
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I'm obviously thrilled about "Late Spring" and will likely buy that day one. I know little to nothing about the Czech New Wave films, but these films seem very intriguing and if I can't afford to buy them at their release...I will most certainly buy this Eclipse set during some sale in the near future. Joe...I think Late Spring Spring would be a good introduction into the films of Ozu...if just for the Wim Wenders documentary, that is a great tribute to Ozu and would likely teach you more about him...he was a big influence on Wenders. I don't know if you have a region free player, but if you do, there are some good early films of Ozu (not his silents...though those are good as well) that BFI has already released, that I can suggest. They are much grittier than his later films and even surprised me. "A Hen In The Wind" is one title that comes to mind... |
Question, and not to start a Malick war, but why has Badlands become this Citizen Kane of "please release!"?
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Of course I'm not one that complains about the films that Criterion DOES release. Variety, and pushing boundaries for what can be made commercially available is always a good thing. However I'm still disappointed in no Chaplin, and still waiting on quite a few "upgrades" that are years overdo. A month with no upgrades at all doesn't help get us caught up to the back catalogue....:whip: |
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But yeah while I applaud releases like Brakhage and Frampton, I don't need to own them because I'd never watch them. It's frustrating in a way because Criterion needs to put titles like these out, I just have no desire in them and wish they'd fill their monthly slate with a more consistent combination of obscure and known films. This months seems pretty much all obscure, except for Harold & Maude, and even that is a cult classic ay best. That's just me being selfish, though :) Maybe May will be 5 Chaplins. |
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I agree with retablo that they should of just put them in a huge boxset. They wouldn't of been released any faster though, so the public would of been more upset that they knew about the Chaplins' and haven't seen 1 for years. |
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I like to think that I'm a super-huge Ingmar Bergman fan, but I'm not complaining with each month of new releases that all of Criterion's DVD-only releases aren't being upgraded to blu-ray. These people that have decided to leave the DVD format behind are missing out on a crap-ton of great releases. Of course, I want all of Bergman's films upgraded to blu-ray, but I'd much rather Criterion release some of the Bergman films that I've yet to obtain from foreign options... like the four Australian releases for which I can't seem to warrant the price. There are 13 films of Bergman not release on DVD in the USA but released on DVD by Tartan UK that I own. So, what I'm trying to say is that there are options, people, and not everything has to be on a freakin' blu-ray disc to enjoy it. John Waters is my favorite director, but just because Pink Flamingos was once released by Criterion on laserdisc doesn't mean that I'm moaning all the time about Criterion not re-obtaining the licensing rights for release on blu-ray. I'm perfectly content with my New Line DVDs. Warner Brothers takes care of the New Line Cinema stuff these days so I can't imagine Criterion getting another shot at some of those films, but I would love to have Criterion release Waters' Mondo Trasho and Multiple Maniacs so that I can finally retire my VHS copies. If it doesn't happen, though, OH WELL. Every new release (new film to the collection, new director, etc.) from Criterion is a welcomed release and experience to possibly find something new to enjoy. By the way, I'm 34-years old these days and if anyone wants to meet me on Chat Roulette let me know. ;) |
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I love it when Criterion releases highly rewatchable movies for a change - Harold and Maude day one!
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Frankly I am surprise, yes no Chaplin but we have Ozu on Blu-ray! That's got to mean something :D
Or maybe it's just me :o |
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The David Lean set certainly qualifies for me. As did Anatomy for a Murder and Godzilla (although Godizlla was already announced, that's a pretty major film for them to get hold of). Others would define it with the Czech New Wave, and a set of experimental short films. However even looking at things that weren't "OMG" shocking, I'm quite happy with getting upgrade for A Night to Remember, Last Temptation, and just based on the synopsis and short previews I will almost certainly be blind buying Moment of Truth, Three Outlaw Samurai, and Letter Never Sent, etc. I love me some blind buys. :p Basically it seems like Criterion has been going strong so far this year, BOTH for people that want completely off the wall obscure titles and that want major/mainstream titles. You can't please EVERYBODY. It seems like April is a weak month for people wanting something major, but at least they have a couple of titles that push the boundaries far outside the box... |
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