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#1 |
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Blu-ray Samurai
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CD's are recorded at a much higher volume than Blu ray's and even DVD's why? By rcording them as such a high volume you can't turn up your volume when listning to CD's there for not getting as good a bass response out of tower speakers. Can some one clue me in to why? I have no clue why they do it.
Jax Teller: What ever happened to 10 on 10 a fair fight A.J Weston I like winning. Jax Teller: Yeah me too. Overcome Bond quotes USA the Greatest country in the world? Spring Breakers "Roger (Ebert) was the movies." President Obama
"Your intellect may be confused," he once wrote, "but your emotions will never lie to you." Roger Ebert "Damnit Jim I'm a reviewer not a nerd" Richard Roeper |
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#2 |
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Blu-ray Baron
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An unfortunate trend in mastering for the cd format in the last decade is for cd's to be mastered very loud with little dynamic range. See
http://en.wikipedia.org/wiki/Loudness_war |
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#3 | |
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Blu-ray Ninja
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Quote:
Samsung LN46A650 - Onkyo TX-SR805
80GB PS3 - Elemental Designs A2-300 Polk Monitor 70's - Polk CS2 - Polk Monitor 40's (PSN: tbizzle0) - my blu/PS3 trade thread |
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#4 | |
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Blu-ray Samurai
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Quote:
Jax Teller: What ever happened to 10 on 10 a fair fight A.J Weston I like winning. Jax Teller: Yeah me too. Overcome Bond quotes USA the Greatest country in the world? Spring Breakers "Roger (Ebert) was the movies." President Obama
"Your intellect may be confused," he once wrote, "but your emotions will never lie to you." Roger Ebert "Damnit Jim I'm a reviewer not a nerd" Richard Roeper |
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#5 |
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Sound Insider/M.P.S.E.
Dec 2006
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While movies have standards for mixing and mastering, music only has no such standards. In the absence of standards, unfortunately you are going to hear a lot of bad mixing and mastering practices.
I have refused job after job because the artist or the producer wanted me to mix or master at levels that I thought were unlistenable. I was asked to apply so much compression that is killed the music just to make it playable on radio. I refused to do these projects, but my business or lively hood was not on the line. Other engineers and mastering professionals are not in that boat.
Customized Toshiba 65H84 RPTV 9" tubes
Sony PS3 Toshiba HD-A35 Grass Valley Pro HD A/V switcher/router Onkyo PR-SC885P Pre-Pro 3 M-EQ 2300 equalizers 1 Berhinger feedback destroyer 1 Onkyo M-508 power amp (sub) 3 Onkyo M-504 power amp 1 Onkyo M-282 power amp 1 Circlesurround CS-3X jr 2 custom 4 way horn hybrid monitors 1 custom 2.5 way horn hybrid center speaker 4 custom 2 way horn hybrid bipolar surrounds 2 Large custom servo 15" sealed subs 1 Sony touch remote control |
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#6 |
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Special Member
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Metallica's latest CD WAS a wreck. The Day that Never Comes has got to be the worst mastering of a single/song in recent years. I thought it was just a bad CD, but after listening to my friends, what do you know...it still sucks.
A Work In Progress: Panasonic Viera GT-30 50" (2011) | Playstation 3 (2008) | Onkyo TX-SR805 (2009) | Polk Audio CS2 Center (2008) | Polk Audio Monitor 70 Fronts (2008) | Polk Audio Monitor 40 Rears (2007) | eD A7S-450 Sub (2010) | eD A2-300 Sub (2009) | APC AV H15 (2010) | Antec AV Cooler (2009)
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#7 |
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Banned
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MFSL Gold CD's have always sounded incredible,they know how to make quality product,Pink Floyd's "Dark Side Of The Moon" is a fave of mine as is Cream's "Disreali Gears" with BOTH stereo and mono sides(so much dynamic range!) Sure they cost more,but they sound sweet,DCC Gold Discs are also awesome(Cream's "Wheels of Fire" is the bomb!) I've found that the older pressings of CD's seem to have more dynamic range than the louder new releases,maybe I'm just old fashioned. Just an opinion
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