Quote:
Originally Posted by HD Goofnut
Of course not, but if a director shoots a film entirely with 2D cameras then it deserves to be seen in 2D. In this case 3D simply becomes a gimmick so you can buy the members of the board of the studio a new Mercedes.
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The Man Who Wasn't There, Sin City and others were shot in color, but then altered to be black & white. Isn't that the same principle?