Quote:
Originally Posted by bobbydrugar
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On the second hand we have color gamut. This battle will be fought between the video purists and the techheads. the techheads will espouse wow 10 trazillion colors and the film purists will scream its not Film Like.
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The film purists have been wanting P3 color gamut as that comes closer to approaching 35mm film (which still has ever a broader gamut) and matches the DCI-P3 gamut which most Blu-rays stem from at rec. 709. With DCI-P3 you are getting closer to the actual source. It's a win-win for techies and film purists.
http://www.theasc.com/asc_blog/thefi...c_2020_dci.jpg