While it would be nice for movies to feature 24/96 quality audio tracks, I'm skeptical that anymore than a few are being recorded and mixed that way. Making the problem worse, lots of sound effects libraries and such have some pretty crude origins.
Perhaps if film makers see the potential in advance they'll create movie soundtracks from the ground up in 24/96 resolution. I'm afraid the "good enough" ethic will continue to prevail. It's kind of similar to my complaints of Hollywood not shooting movies in superior film formats like 65mm or 8-perf 35mm. 2-perf Super35 quality stuff seems "good enough."
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