It's too bad they can't just find a talented director who's open to shooting native and willing to let a stereographer determine the look of the 3D and help integrate a few 3D sequences into the story. That's how 3D movies were made in the 1950s, and every single one of them looks incredible. Not so anymore. Directors and cinematographers get to toggle the depth knob themselves or punt it to VFX teams.
Last edited by BleedOrange11; 10-10-2016 at 05:04 PM.
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