Quote:
Originally Posted by Geoff D
TBH the use of a BD100 will make far more difference to how the movie looks than any number of bit depth/chroma subsampling/HDR related shenanigans. All that grain shot on 5247 (with 65mm VFX) needs to be treated with the respect it deserves.
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Not a trick question, just a curious technical one :
Isn't x265 already efficient enough for that or does these encodes REALLY need this extra push too ? I mean, Close Encounters isn't a very long movie and it seems to me that x265 and BD-66 can already achieved quite a lot.
Not saying "as much as possible can be too much", I'm just curious as to where is perceived the current limit to be.