Quote:
Originally Posted by nicwood
Screenshot 2 and 20 appear to be the only opticals you captured and no. 20 looks good to me, so maybe they only processed the long introductory shot over the (now rebuilt) credits. If this is everything, I can more than live with it. Again, gorgeous master and an encode that looks as close to perfect as it can get. Hopefully Curzon and VDMS team up again to match Carlotta’s excellence.
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You are correct that excessive DNR has been applied to that 52-second credits shot. I've only sampled a bit, but that seems to be the worst of it.
The first two caps here are before the credits shot
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