Quote:
Originally Posted by saprano
Did you feel this way about TDK? It's like nobody cared. The differences between the 35mm and 70mm was more apparent than in rises. That actually took me out of the film. It was so bad. Rises is on a completely different level, man. It stays consistent imo. Yes you can tell it's lower quality, but it looks good. It's natural.
|
Even though i hated the processed look of the TDK 35mm shots and the EE baked into it, the 35mm to Imax does not bother me as much as TDKR change. There is lot more 35mm to 70mm and back 35mm this time and the colour pallet between the two, the lighting, the really soft focus shots of the 35mm then back to Imax is really jarring this time.