The UHE transfer with the contrast boosting and DNR was pretty much made for the 3D conversion anyway, it never should have existed in 2D form to begin with.
This is just a shameless cheap cash in by the studios who will rush this out because some sheep out there will follow. Sorry if I offended any one, but this film was NEVER made with 3D cameras nor was it ever intended to be seen in 3D. Its a similar argument made when the UHE first hit the streets. The film was never shot with digital modern HD cameras, so trying to tweak the contrast, brightness, sharpness and then removing all the grain from the picture makes it look worse because not only does that grain hold information, but you are altering the product of its soul.
|