Quote:
Originally Posted by SidneyFalco
I just said the same thing, lol. Super35 shoots full neg and is matted later, and anamorphic squeezes to fit the neg.
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Well, you didn't quite say the same thing. You said it was shot 1.37:1, which isn't quite true. Super 35 uses the same negative area that silent films used, before the 1.37:1 standard was established in order to make room for the optical soundtrack.
You also didn't mention the anamorphic squeezing for Super 35, just for the, well, anamorphic films. I thought both points were worth making, as Super 35 is neither matted nor anamorphic, and both at the same time.