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#1 | |
Moderator
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Aldo Lado's stylish giallo Short Night of the Glass Dolls (1971) will be released October 16, 2018, from Twilight Time. This will be a limited edition of 3000 copies.
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Starring: Ingrid Thulin (Wild Strawberries, Hour of the Wolf, Cries and Whispers) Jean Sorel (Belle de Jour, A Lizard in a Woman's Skin, The Day of the Jackal, The Man Who Laughs) Barbara Bach (The Spy Who Loved Me, The Unseen, Caveman, The Great Alligator, Humanoid) Music by Ennio Morricone ![]() ![]() Last edited by oildude; 09-23-2018 at 06:46 PM. |
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Thanks given by: |
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#2 |
Blu-ray Baron
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This is the last label I expected to see put this out. I'm guessing it might have something to do with the really icy Morricone score.
Anyone that's anti-import that has the slightest interest in Italian genre cinema should get this, it's easily one of the best of the giallo genre IMO. |
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Thanks given by: | trentdiesel (07-28-2018) |
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#4 |
Blu-ray Ninja
May 2010
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Yeah, I think I'll pick this up, if the master is up to snuff.
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#8 | |
Moderator
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Pre-order date: Wednesday, October 3rd at 4 pm EST
Directed by Aldo Lado (Who Saw Her Die?, Last Stop on the Night Train, La cosa buffa, Born Winner, Humanoid) Starring: Ingrid Thulin (Wild Strawberries, Hour of the Wolf, Cries and Whispers) Jean Sorel (Belle de Jour, A Lizard in a Woman's Skin, The Day of the Jackal, The Man Who Laughs) Barbara Bach (The Spy Who Loved Me, The Unseen, Caveman, The Great Alligator, Humanoid) Music by Ennio Morricone (one of the greatest film composers, whose work spans decades and over 500 films, including the iconic The Good, The Bad, and The Ugly, Once Upon a Time in the West, Four Flies on Grey Velvet, A Lizard in a Woman's Skin, 1900, The Great Silence, The Professional, and many more. Cinematography by Giuseppe Ruzzolini (Arabian Nights, Duck, You Sucker, Oedipus Rex, My Name is Nobody, Firestarter) ![]() Quote:
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Thanks given by: | *PREACHER* (09-23-2018), Katatonia (09-23-2018), Mr. Thomsen (09-24-2018), The Great Owl (09-23-2018) |
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#9 |
Expert Member
Mar 2018
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I think this is a stunning yet still not widely appreciated [i think] giallo, truly nightmarish in a way, and almost up there with the very best of Bava, Argento and Fulci in my view. I'm going to have to bite....
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#10 | |
Blu-ray Grand Duke
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It is good news that it's being released here for region-locked fans of the film though. |
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#11 |
Blu-ray Archduke
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I also have the Camera Obscura release and it is near perfect. TT will be shooting themselves in the foot if they release a lesser-quality BD. My money is on Camera Obscura being the definitive release. TT's specialty is soundtracks so this is probably the only reason they even licensed this one.
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#13 |
Blu-ray Champion
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Strange, yet finally a strong release from TT. It will probably sell better than most of their releases. Too bad at $30, the extras are weak and the CO release is already great. They should sell through half in a fair amount of time though, as gialli sell well from all labels. TT may find this out, but maybe not, due to that price.
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#15 |
Blu-ray Emperor
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Just blind-bought this for $9.95 (plus shipping) from TT's current sale. Premise sounds good, and lots of praise in this thread, so I think it'll be a safe buy for me.
https://www1.screenarchives.com/titl...IAL-PROMOTION/ |
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#16 | |
Blu-ray Samurai
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#18 | |
Blu-ray Count
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Most giallo and other Euro horror I prefer to watch them alone and take them in. Short Night of Glass Dolls is a great one IMO. Really different from most. |
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#19 |
Blu-ray Baron
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Twilight Time’s disc offers the choice of the US English dub and the original Italian (properly subtitled rather than dubtitled from the US script), both of which synch perfectly with the actors but which have a very different tone. In part the Italian dialogue is more poetic or simply better written/translated – a waiter’s joke “Don’t be startled, madame, a fireman is standing by” when lighting a flambé becomes the clumsier “Don’t worry, in emergencies I’m able to extinguish it” - but the English dub makes much of the corruption of Prague’s communist political system, even adding off-camera dialogue where none exists in the Italian version to ram home the point. Thus Jean Sorel’s paean to the city’s timeless character in the Italian dub becomes a paean to the survival of individualism in a communist system in the American dub.
The Italian version certainly takes the odd potshot at the system where the dollar trumps idealism every time, but it takes a more general view of the film’s menace not as a corrupt group of putrefying communist party elite but as the same kind of insulated old money and power feeding off the young they sacrifice and feed off, metaphorically or literally, that you can find in every country. The corruption that Lado is addressing is more universal than specific to any political ideology, exemplified by the physical decay all around, the semi-deserted streets often inhabited only by the infirm, the blind or the disabled. Also of note is the fact that Matteo Molinari interviewed director Aldo Lado at length before doing the audio commentary, so while the director isn't present on the track there's nonetheless a lot of good information there that he provided. |
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