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#3 |
Contributor
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As discussed in the other thread, this special appears to be encoded improperly at 1080p24.000 fps, when it was shot in 25 fps. The broadcast in the UK would have been 1080/50i, and a corresponding UK BD should probably be the same (because there is no support for 1080p at 25 fps in the Blu-ray spec) as with other BBC UK BDs. The run time of the special is 93:05, and the back of the box appears to indicate the run time of the extras disc, which uses a play all option, and runs 86 minutes exactly. If the run time of the special is 93 minutes at 24 fps, then the run time of the special should actually be approximately 89:30, which would fit it exactly into a 90-minute timeslot on BBC1 for its New Year's Day television broadcast.
Unlike previous entries, this special also had a simultaneous one-off cinema screening. The fact that the special is presented on Blu-ray in 1.85:1, rather than 1.78:1, speaks to the idea that a cinema master was used. This also may explain the presence of Dolby Atmos / Dolby TrueHD 7.1 track being present. However, it is clear that the voices are pitched lower than they should be. Ironically, a situation very similar to this occurred with the Doctor Who special The Day of the Doctor (in 2D), which was initially released at 24 fps in the UK, and resulted in a disc exchange program. Each of the discs in this release is marked as locked to Region B (I will confirm for myself shortly) however, neither is a rehash of content on the US edition, because both discs still contain 50Hz content. The audio navigation screens, BBC logos, BBC Store advert, and bonus materials are all in 1080/50i, and only the special and both disc menus are encoded in 24 fps. Also note that the US BD presents the special in 1.78:1, not 1.85:1. EDIT: I have sent an enquiry to the BBC about this Blu-ray. We will see if they respond. Last edited by McCrutchy; 01-16-2016 at 06:55 PM. |
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Thanks given by: | Davidian (01-16-2016) |
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#7 |
Active Member
Feb 2012
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In other words a 90 minute movie plus almost the same on the extras disc. I paid £19.99 for the steelbook!
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#8 |
Blu-ray Ninja
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#9 |
Banned
Jan 2016
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I loved the first 3 seasons of Sherlock and watched the Blurays in readiness for the special but the "it was all a dream" cop out is the worst thing that any writer can inflict on audiences so this special doesn't really count as a proper episode to me although I might get it when its a fiver
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#11 | |
Special Member
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Thank you for your e-mail which has been forwarded on from WW Comments to the DVD Enquiry Line. I have asked the question of the DVD production team and they have supplied the following response. For the Sherlock bluray we decided to use the theatrical master (which is 24p) as it included Dolby Atmos and this was our first Atmos bluray release. The aspect ratio was also as per the theatrical release (1.85:1). For the DVD our master (50i, 16:9) was as per transmission. I do hope that answers your question. Kind regard DVD Enquiry Line Second Email reply, It was a business decision to use the theatrical master for the Blu-ray release as it allowed us to use the Dolby Atmos mix that we had specially created for the Theatrical release. To our knowledge it was filmed in 25p , but it was our decision to use the theatrical version for the Blu-ray version to get the most out of the Atmos experience. Kind regards BBC DVD Support It does bug me that the BBC does seem to be copping out a bit. Native frame rate is as important on the release. Last edited by stargazeruk; 01-16-2016 at 10:18 PM. |
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#12 | |
Contributor
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I can understand using the Atmos audio, but if they wanted to do that, they should have shot the damn special at 24 fps. Clearly, both the cinema release and the Atmos mix were afterthoughts that were put into place once principal photography was either well under way, or finished entirely. At this point, I would take a new 1080/50i BD with a 24-bit DTS-HD MA 5.1 track if I had to. I would prefer the Atmos mix, but such a thing is probably overkill for what should have been only a television special in the first place. But Benedict Cumberbatch sounds like Jeremy Clarkson in this now. If this is what the US BDs are like, then I am really glad I can play the 50Hz UK discs. |
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#14 |
Blu-ray Duke
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I've a sad feeling that it'll not get corrected until possibly a German release, (they've corrected a few TV series f*** ups from other shows).
The Australian disc is out 3rd Feb, but I don't old out much hope for it. JB Hi-Fi are showing DTS-HD-MA 5.1 for audio, but that could be a guess. |
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#15 | |
Contributor
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Last edited by McCrutchy; 01-17-2016 at 02:12 AM. |
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#16 |
Blu-ray Ninja
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#17 |
Expert Member
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There's a pitch change? How odd! Mine didn't sound any different to broadcast. Maybe a bit punchier on the dynamic effects like gun shots. It certainly didn't have the tinny sound that DOTD had when it was first released, then again with DOTD I changed some of my sound settings on my Blu Ray player as was suggested here and it sounds fine after that. No tinny reverb or anything. Still I watched that Sherlock special all the way through last night on Blu ray and didn't pick up any change in pitch, the sound was more layered than the TV broadcast for sure. I was able to hear a lot more of the smaller things like footsteps and other foley sound effects I couldn't in the broadcast. I found no problem with it though.
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#18 | |
Special Member
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When it was US films on DVD back before blu-ray I will admit I put up with the higher pitch and 4% speed up cause I could not stand the 3:2 pulldown with NTSC DVDs as it caused me eye strain. |
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#19 |
Active Member
Nov 2008
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#20 | |
Site Manager
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![]() Digital sound has not been dependent of video speed rate for a big while. Unless theres some technological impediment why not 50i with Dolby Atmos? Just repitch it galore again if you have too! |
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