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#1 |
New Member
Sep 2008
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Hi guys,
Im kinda new to these forums as I have been viewing this website for a long time and u guys definetlly know wat ur talking about here. So I have a question that has been in the back of my mind for sometime and I apologise if this is a silly question. After watching The Dark Knight on blu-ray, the IMAX shots for the action scenes have the best PQ I ever seen, so why dosent the whole film be shot with IMAX cameras and be put on blu-ray as it is? If they can film the action scenes, Im sure they can film all the dialoge scenes with those cameras too. Thanks guys |
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#3 |
Senior Member
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To complete Moonphase's answer:
The reason why the whole film wasn't shot in IMAX are numerous: -IMAX cameras are "big and clunky" and thus impractical and difficult to handle. -Two types of IMAX cameras exist, one of which has a load time of 2 and a half minutes, the other 30 seconds, which means you can only film for that amount of time. -Finally "the IMAX camera is so noisy that any dialogue needs to be looped in post production", which means no sync sound. Don't worry though there's still directors ou there like Nolan, Favreau, McG etc who want to film a whole big movie in IMAX. |
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#4 |
Blu-ray Guru
Mar 2008
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One of the key reasons is the difficulties related to IMAX cameras as described above.
Other difficult-to-fix key problem is lack of IMAX theaters around the world. I think 99.9% theaters are non-IMAX and Scope (i.e. 2.39:1). Therefore IMAx aspect need to be cropped when shown in 99.9% theaters around the world. There is no commercial advantage to film the entire movie in IMAX format since it cannot be shown in that format in almost all cinemas. Hence only few scenes are shot in IMAx format (while framing for the Scope aspect) to attract people to IMAX cinemas. |
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#5 |
New Member
Sep 2008
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Thanx guys that makes a lot of sense now, hopefully soon they will develop the technology to film entire movies with IMAX quality!
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#6 |
Power Member
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Reason's why you can't shoot a whole 'hollywood' movie in IMAX.
IMAX cameras hold about 3 mins of film. Large and heavy making it difficult to work with. Takes a week to get the 'dailies' back so that means you don't know if you need to go back and re-shoot a scene for a week which can add costs. Because of the noise of the cameras all audio needs to be foleyed and ADR done which is actors re-recording their lines and performances in post production. Much higher resolution that you need to render at for visual effects leading to more costs and time. |
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#7 |
Power Member
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I work at a "REAL" IMAX theater so i can answer all ur questions, but all said true from the other guys here but some key issues were still left out.
1. expense - studios need a ton of cash to produce a film in IMAX. Walt Disney was the first company to remaster an entire film in IMAX and cost $80mil. and thats for a REPRINT. fantasia 2000 made back in 2002 and it was 1hr 20mins which is the limit for the film platters. 2. projector - the projector bulb can't run for a 2 1/2hr movie. if anybody ever seen a IMAX projector there almost 6ft tall, 3 1/2ft wide. and the bulb is water cooled. to run movies running almost 3hrs long requires 3 platters and u will need to change out the first platter to show the ending. remember back in the day when movies had intermissions that will also return. and don't forget bulb cool down periods. it would be nice to see a entire blockbuster shown in IMAX but will it really really be worth it. it will b a HUGE expense and not worth it... ![]() |
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#11 |
Senior Member
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I've noticed that the XD theaters at various Cinemark have been giving me a better experience than IMAX lately. It's bigger than many of the newer IMAX theaters and when it's actually different than a standard theater, I don't mind paying the extra $$.
IMAX has let me down the last few times I've been. |
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#13 | |
Power Member
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![]() and of course on-call for EMERGENCIES ![]() just in case anyone wants to know it can take up to 6hrs to change the bulb. but that includes the 2hr cool down time. so its really 4hrs and thats with 2 people. ![]() |
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#14 | |
Blu-ray Guru
Mar 2008
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#15 |
Blu-ray Prince
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Fantasia / 2000 premiered in December of 1999, and the Fantasia 2000 Imax Experience premiered 12/31/1999, not 2002. And the $80 million cost was also for the revision of the Imax platter system to allow the format to show a film longer than 45 minutes. Disney and IMAX teamed up to figure out that bug-a-boo, and so Fantasia/2000 made film history and IMAX engineering history.
Last edited by Ernest Rister; 08-15-2009 at 05:44 PM. |
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#16 | |
Super Moderator
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#17 | |
Power Member
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#19 |
Power Member
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Nolan might want to but Warner Bros. would say hell no. Especially because they destroyed 1 IMAX camera already and would of had to pay several millions for that.
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#20 |
Blu-ray Samurai
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If the market demands it, then the studios will invest in the R & D necessary to make it happen. It's not a static technology, it has already seen some advancements (see Rister's Disney comment), it is bound to see more. Most of the current cameras are fairly old, they could benefit greatly from a new generation of Imax camera. And two-week processing times for dailies would disappear if enough people are using it that capacity is increased by that end of the market (and besides, there's nothing to stop them from having a redundant camera in the rig specifically for making dailies, just a simple digital camera or something... dailies aren't final cut quality anyway, what difference would it make). Imax is not an endangered species, "Imax-lite" feature films are increasing the public's interest in the format. As digital gets better, eventually 70mm will have to become the standard to keep up and compete. And sooner or later one of these mogul producers is going to tackle a project with a virtually unlimited budget and give Imax a shot.
These things happen one step at a time. |
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