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#1 | |
Special Member
Mar 2007
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http://hollywoodinhidef.com/2010/03/...ports-on-3dtv/
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#3 |
Senior Member
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I am not surprised.Panasonic also won best of show for their 3D plasmas at the 2010 CES.I am also betting that Panasonic's 3D technology is superior to Samsungs.They even have the worlds first 3D camcorder coming out as well.
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#5 |
Power Member
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sounds like a glasses issue not the tvs issue also they dont talk about anything but the black level what about actual 3d ive seen both the sonys and the samsung in person and saw no light patches on either. the blacks looked great on both. havent seen the panny yet but will compare when i do.
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#7 | |
Blu-ray Samurai
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While I agree that their low price point for a 72" television may indicate quality compromises, I really don't know what to expect. Perhaps it's time for someone to start busting down the walls between consumers, and common sense. |
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#8 |
Power Member
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i just want first hand info from non biased source to give comparisions on samsung panasonic sony and vizio all side by side without any brand "loyalty" issues but i figure it will never happen . ive read on here people who hate plasmas , who hate lcd , led lcd, ect and all have their reasons. i am just aprehensive because of this and having a hard time deciding . i live in a small town and for electronics we have bb and sears , target and walmart and they all never know what im talking about when i raise questions brought up on here and from my own research. (ive had the managers ask me to work there, but i make more at MY low paying job without the drama)
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#9 | |
Special Member
Sep 2007
Grants Pass, OR
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#10 |
Blu-ray Ninja
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Well, I checked out the Samsung 3D at one Best Buy store on Tuesday and the 3D was half in focus and half out of focus...it was weird and I wasn't impressed. But at a different Best Buy and same tv, the 3D tech looked pretty good.
I really want to see what the Panasonic looks like because from what I've heard, it was the best at CES. Can't wait for Sunday! |
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#11 |
Blu-ray Ninja
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I'm probably gonna go with the 72" vizio due to it's size and the fact I currently have a vizio 47" and with the frame interpolation turned on I think it looks fantastic. Vizio seems to be the only manufacturer that is gonna release a 72" 3D tv and I want as big as I can get.
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#12 |
Blu-ray Count
Jul 2007
Montreal, Canada
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when was that, I am just shy of 40, so it might go way back before I cared for anything or was ever born, but to my recolection RCA was always around a C+ (A=high end, B= normal, C= low end), while Sony A-/B+ and this going back to the late 70's early 80's.
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#13 | |
Blu-ray Samurai
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The televisions gradually increased in quality for over the air broadcast, and slimmed down in size and weight. As RCA began doing offshore production through their Japan Victor Corporation, some components actually improved, but television picture tubes were still manufactured in the States. Then came the box stores, replacing J.C. Penney and Woolworths, who were selling lower end units without all the fancy wood cabinetry. Emerson, Phillips, Westinghouse, and hundreds of off-brand names were slapped onto Japanese televisions...along with JVC, and many others. With them came Sony, more expensive, and the early models came with faux-wood cabinets and not much better quality. Most Japanese sets were small. 13" color televisions were common amongst Japanese imports. Sony, however, almost pretentiously sold 19" televisions; and of course, everyone knew that Japanese products were notoriously inferior to American models. In the mid-1970's, the top end was RCA, Magavox, and Motorola's Quasar. Curtis Mathes had a reputation for great quality, but they weren't anything special, and were hard to find. Then, around 1977, Sony began releasing their latest, modernistic 27" color set, and everyone went wild. The secret was that their sets ran in what is now contemptuously referred to as "torch mode", but without color bleeding found in other sets with the gain turned up that high. Eventually the phosphors would cook, and there would be a greenish cast to the picture that could never be removed - but on the showroom floor, nothing had the "pop" of the Sony. It became the new standard, especially among sports fans. It was in 1977 that I purchased a Quasar, after spending a long time comparing the Sony and Quasar models. At that time, the Quasar was $800; the Sony, $900. This was big money, and a big difference, in 1977. I went with the Quasar (a console model, TV only). The reason? Once you got past the "look, the fire truck is really red" showroom intensity settings of the Sony, there was not really any difference in the image. It was clearly a high quality set, no question. But it did not exceed the quality of other top end units at all. Perhaps Sony's image was enhanced by the fact that they had few models, but all were higher quality than their imported counterparts, and that American television brands had a large product line - with only their top models competing with Sony's quality. This really left the perception that overall, Sony was better, but it's like comparing a Lexus to a Cadillac - and a Chevy Cruze. Since you were around, think back to that time, you'll remember how it was. |
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#14 | ||
Blu-ray Count
Jul 2007
Montreal, Canada
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Also according to http://en.wikipedia.org/wiki/Trinitr..._note-shist-13 Quote:
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#16 |
Super Moderator
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I think the biggest advantage to the Panny plasma would be the response time.
Plasma's response time was already much faster...but for the 2010 VT25 series they have the activation time of the pixel to luminance is 33% of what it took in 2009 and the decay time is 25% of what it was in 2009...for overall response time of about 1/12th of the 2009 panels. That's allowing them to say they have 120Hz with ZERO crosstalk and I just can't see LCD technology equaling that...the early reports seem to agree. |
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#17 | |
Power Member
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#18 | ||
Blu-ray Samurai
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The Trinitron was lionized at the time for its design, with the primary differentiator being that it Sony only made "solid state" sets. By the early 1970's, many manufacturers made sets that were nearly all transistorized, or completely transistorized, but tubes were around for a long, long time. The big thing was to advertise "solid state" and "instant on", a huge difference from the old days when people had to be sure to warm up the television, and adjust it, before their favorite show came on. There was also variance in the picture even after a few minutes or hours of use, requiring adjustment during viewing - for tuning in the channel (see if you can remember the term, "tune in" from back then), color saturation adjustments, etc. Solid state, i.e. fully transistorized sets didn't have such drawbacks, or at least they weren't as noticeable. American manufacturers didn't make the switchover immediately - their production lines weren't set up for it - and when they did start making transistorized sets, the components that were available for high-current color television weren't of high enough quality to make good sets. Picture quality, once adjusted, was terrific with the standard manufacturers. But diddling around with setting was a headache. Trinitron sets were a dream for most folks, forcing the American manufacturers to spend more, and move to transistorized inner works. They never really recovered from the transition, and it threw the entire television support industry into a tizzy. Quote:
RCA, GE (another huge producer of sets), and their sub-brands were never in the running, because by that time they had really given up on quality production. Their higher end sets were primarily furniture - nice cabinets, but mediocre picture quality. Their competition was from the Japanese, with Sony and JVC. Motorola was the only American company that was doing comparable electronics production, at least in their Quasar line. Sony was doing many things to allow an intense picture, though I didn't understand (and still don't) how their various tricks with masking on the inside of the picture tube affected things. They certainly handled high power - tube televisions from that period had the intensity of a table lamp for light output - and while Sony was the benchmark, they actually did have competition for picture quality. I've always liked Sony, and own two of them now. |
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#19 | |
Blu-ray Samurai
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Hang in there until it comes out. I'm hoping their 72" set puts a real scare into the other manufacturers - I'm still ticked off about Sony marketing their 70" LCD for $20,000. I wanted to get it to replace my 70" SXRD rear projection unit, and never could, at that ludicrous price. |
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#20 | ||
Blu-ray Count
Jul 2007
Montreal, Canada
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beam for blue\ /red phosphors beam for red / \blue phosphors for aperture grill fine wires are used. This meant, especially early on, that more phosphor could be used in an AG (brighter image), less of it was missing (shadow of the grill/mask or dead space) and that it was better defined. An other advantage was that AG sets could be flatter and did not need to be as curbed (so the image was less distorted). Quote:
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