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#3 | |
Blu-ray Guru
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Ha, I've never seen his set up before. Very cool and lots of DIY projects. Hopefully he sees this thread and chimes in. If not I'll PM him to make a public appearance. ![]() |
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#5 |
Blu-ray Samurai
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Pro audio has different priorities to consumer stuff. Being bullet proof and able to withstand abuse is very high on their priorities, SQ trailing that. So if SQ is important to you I'd say steer clear of pro audio stuff.
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#7 | |
Blu-ray Ninja
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Rich |
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#10 | |
Moderator
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![]() ![]() I believe that the best canidates for pro amps would be the sub's and the rear channels - the front sound stage however, is best left to consumer gear (unless you go high end pro stuff - like I said - they have some gear that sounds very appealing). Pro's: Build, Power output Con's: Distortion levels, and they can be noisy - they have fans like PC's |
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#12 |
Active Member
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Hello! I was steered onto this thread, alas a month ago! Sorry, I just saw the private message. :/
It looks like some wants to hear my grain of salt about pro amps in home setup. IMHO, several aspects have to be taken into consideration and this is not something totally black or totally white! I began working in live sound about 20 years ago and got interested in home hifi about the same time. I used to make a clear difference between both categories of audio gear (pro and home) and was drinking a lot of the Kool-aid from audio rags like Audio in the US and Sound and vision and UHF in Canada. I mostly dismissed pro-audio gear, on the criteria that some others have already stated in this very thread. Now my view is more relaxed and I say "Use what works for you"! Aspect 1) I think fan noise is unacceptable in a home setup. What good is having a 112 dB of signal-to-noise ratio if your gonna have an amp whose 50 dB fan is screaming all the time! Amp rack in a closet of basement is a workaround for this. Aspect 2) You will find that curent technology pro power amps will have specs comparable to home audio amps. Bandwith, noise and distorsion specs are all vertually perfect since the early 80s in most respectables power amps, either pro or home. This is a non-issue. Aspect 3) In a sub application, any consideration of transparency, articulation, soundstage, grain, refinment, warmth and other more-or-less esotheric qualifications of a power amp are overwhelmed by the need for raw power (by mean of actual high RMS power but also high curent capability in low impedance) and the need for a high damping ratio to control the behavior of the sub cone. So in this application, a pro amp will shine, not because it's any better, but because it can be had for a reasonable cost! I intend to replace my sub amp for a more powerful and it will be a pro-amp, most probably a Crown K2, which is the only fan-less 800 watts per channels amp I know of. Else, I know that the Yamaha P7000s have very silent fans and can be had for below 500$ (for 2 X 1100 watts/4ohms). Both works with Class-D operation and are are way more efficient than home audio amps. The price argument on home stuff however is changing since the damn of internet direct outfilt. Emotiva and Outlaw audio have products very powerfull and affordable. Quite the contrary to the 20 000$ 20 watts tube amp... Aspect 4) For full range application, my deep home hifi roots are somewhat keeping me out of the pro-amp camp for now but that may change someday! Your mileage may vary! Aspect 5) Like in most other domains in life, entry level equipment may not deliver. You will find some brand of pro amp have loosy specs. Great pro amp brands are Crest, Crown, QSC, Yamaha, Lab Gruppen. However, Peavey, Behringer, Mackie and Yorkville are somewhat less regarded as great and you won't find them on major touring acts. Note : The Bryston amps I'm using really were/are really home audio amps. The company began puting XLR input connectors on them and calling them Pro when they saw that people were actually using them in clubs and on tour in the early 80s, because reliable 800 watts amps were scarce then. This is a rare company with products well regarded in both home and pro circles. I hope that can help some. Regards, |
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#15 |
Blu-ray Champion
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I recently bought a Behringer Europower EP4000 and used it in bridged mode to power one of my DIY 15" subwoofers. The amplifier generated so much power and the results were so impressive that made think that I was wasting the amp on just one subwoofer. Therefore, I moved the vintage DBX subwoofer amp that was powering the other DIY 12" subwoofer to another room and used the Behringer in stereo mode to power both DIY subwoofers. I also replaced the fan with a low noise fan. The EP4000 only has XLR and TSR inputs. I used the amp briefly in my two-channel room as the main amplifier and the results were very promising.
Recently, Behringer introduced a new amp, Europower EPX3000. It uses a relatively lower noise fan and has RCA inputs in addition to XLR and TSR. I ordered one a few days ago to power the other two Hsu 12" cylindrical subwoofers in my HT room. You can find more information about the amps in https://forum.blu-ray.com/pre-pro-am...rs-thread.html. |
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