|
|
![]() |
||||||||||||||||||||
|
Best iTunes Music Deals
|
Best iTunes Music Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $6.99 15 hrs ago
| ![]() $6.99 15 hrs ago
| ![]() $6.99 15 hrs ago
| ![]() $44.99 | ![]() $9.99 1 day ago
| ![]() $19.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 |
![]() |
#1 |
Member
|
![]()
Following up on that great read about sound engineers and recording,etc, I was wondering if there are any high quality x-overs to mate a sub to your speakers, not LFE. I used to just take pre-outs and feed subs the signal of the front left and right channels. The end result was good, but a proper x-over would be great.
This is what I'm thinking: Front left- studio 100 crossed with a sub-12 Front right-same Center-same Rears-studio 100's full range until the coding includes more bass requiring subs. LFE-2-FW-18's Richard Hardesty used to talk about a similar set-up being optimal. He used Vandersteens with his speakers and an Energy 18" for LFE. He had 5 subs(he thought a powered center too much for dialog) Please discuss the merits of this, and any equipment to help pull it off. |
![]() |
|
|
![]() |
|
|