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#1 | ||
Banned
![]() Oct 2011
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![]() ![]() Quote:
Quote:
[Show spoiler]
Last edited by Scottie; 04-24-2018 at 09:44 PM. |
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Thanks given by: | *PREACHER* (12-06-2017), asabreed (12-06-2017), bruce holecheck (12-06-2017), cropduster (12-06-2017), DarknessBDJM (12-07-2017), Dragon Ranger (12-06-2017), filmbuffTX (12-06-2017), gobad2003 (12-06-2017), javy (12-06-2017), KeithVK (12-06-2017), klauswhereareyou (12-07-2017), LetsGetATaco (12-06-2017), lilboyblu (12-06-2017), miller_time22 (12-06-2017), movieben1138 (12-07-2017), MTRodaba2468 (12-06-2017), noirjunkie (12-06-2017), oubukibun (01-17-2018), OutOfBoose (01-16-2018), PowellPressburger (12-06-2017), Scoot79 (12-06-2017), Scottie (12-06-2017), sminister (12-06-2017), soarinsteven (12-06-2017), sonicyogurt (12-06-2017), Tae (12-06-2017), theflicker (12-06-2017), UncleBuckWild (12-06-2017), Member-67765 (12-06-2017) |
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#3 |
Blu-ray Count
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Its about time it gets a BLU release. I just wish Indicator in UK would try to release Marie Antoinette. The U.S. release I refuse to touch.
This one is a great film, hopefully Criterion can do some new interviews for the disc. |
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Thanks given by: | movieben1138 (12-07-2017), themp3000 (12-06-2017) |
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#9 | |
Special Member
Jun 2017
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#11 |
Active Member
Nov 2017
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Virgin Suicides Criterion. Day one for me.
Loved the movie. |
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#12 |
Blu-ray Samurai
Feb 2014
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This is a surprise, but a welcome one. I first saw TVS on DVD back in the 200X's. Very sad & disturbing, but also amazing.
Now we need a decent version of Marie Antoinette on Blu - that was another incredible film. |
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#15 |
Blu-ray Samurai
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Still my favorite Sofia Coppola film and a beautiful mood piece. I still believe Suicides influenced the mood and atmosphere of It Follows as much as any John Carpenter movie.
Along with this news and speculation on Ferris Bueller, I hope Criterion will be licensing even more Paramount titles such as Ordinary People, Gallipoli, The Elephant Man and yes, The Bad News Bears! |
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Thanks given by: | the sordid sentinel (12-07-2017) |
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#20 |
Blu-ray Samurai
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WTF and lol all you like, there is a daydream atmosphere and langourous adolescent sexuality in both films that I find similar, along with an understated moodiness. It's even more apparent in David Robert Mitchell's debut film The Myth Of The American Sleepover.
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