I’m Frustrated with the Lack of BD-Audio Titles – Time to do Something!

[Josh]

If you’re like me, you’re frustrated with the lack of Blu-ray Disc Audio (BD-Audio) titles available. The few titles that have been released thus far have been amazing examples of what Blu-ray technology can do for music. Those artists who have released their work on Blu-ray have realized the benefit of providing master-quality releases on a format adopted by millions and millions of consumers worldwide. But too few have taken advantage of the technology, a direct result, in my estimation, of record companies meddling in the distribution of music.

Things are about to change.

In 1976, the United States Congress amended the copyright laws to allow artists to reclaim their works from record companies after 35 years. The law took effect January 1, 1978, meaning all recordings 1978 and on are under the revised legislation, so that the first eligible records would return to artists control would do so beginning January 1, 2013. The law requires that artists submit requests to the copyright office two years in advance, and this has already occurred with artists such as Tom Petty, Bryan Adams, Loretta Lynn, Kris Kristofferson, Tom Waits and Charlie Daniels already submitting their requests to regain control.

While consumers we as consumers have been unable to sway major record labels to adapt Blu-ray audio, we may yet be able to convince the artists themselves. Here is what I am proposing:

First, we begin alerting artists of the requirement to file for control of their music. Thankfully, there are many, many organizations already doing this, so it (hopefully) won’t be the first time they hear about this. Second, we tell them why Blu-ray Audio is the only format that can truly capture their studio performances in the way they themselves intended the music to be heard. Third, we encourage them to release their music on Blu-ray Audio once they gain control.

This activity would be conducted through all forms of communication. A script letter would be drafted (by the group) and sent to the artists via mail and email. Posts would be made to the artists MySpace, Facebook, and Twitter accounts, directing them to a website with the relevant information. Any way we can get the artists the information, we’ll take action.

However, I can’t do this alone. I need a group of people willing to send/email letters, post on Facebook, and Tweet these artists the information. It doesn’t take much effort, it’s just a matter of doing it. A select few will track those artists whose copyright is available to transfer, and everyone else would simply send the email, leave a post, or tweet. The more people we can get involved, the more we can get the message out.

The goal would not be to harass or be aggressive with the artists. It’s just a way of getting the information out and letting them know that they have the option. So if you think you have time to send an pre-written email, post on Facebook, or Tweet, please reply to this post with "I Want to Help". Billy Joel's 52nd Street was released October 18, 1978, and someone has to make sure he knows that a) he can regain control of those recordings and b) it would sound beautiful on a Blu-ray disc.

I welcome your thoughts