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Best Blu-ray Movie Deals
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![]() AU$25.75 | ![]() AU$421.97 | ![]() AU$161.35 16 hrs ago
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#1 | |
Blu-ray Ninja
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#2 |
Active Member
![]() Jul 2012
The Netherlands
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FINALLY. This should look really good in HD. Very much looking forward to this release.
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#4 |
Active Member
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Overall I'm pleased, and it's finally good to see a Blu-ray release of this classic. It's not a restored image by any stretch of the imagination, rather an existing HD master that probably has been sitting in their vaults for a while and is identical to the version on iTunes.
Disc Title: The Bridges at Toko-Ri Disc Label: THE BRIDGES AT TOKO RI Disc Size: 35,335,170,946 bytes Protection: AACS Playlist: 00002.MPLS Size: 27,707,860,992 bytes Length: 1:43:18.025 Total Bitrate: 35.76 Mbps Video: MPEG-4 AVC Video / 31597 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1 Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit Audio: English / Dolby Digital Audio / 2.0 / 48 kHz / 224 kbps / DN -31dB Subtitle: English / 19.514 kbps [IMG] ![]() [IMG] ![]() [IMG] ![]() |
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#5 |
Member
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ALERT: This movie was released in December of 1954. It was shot open matte to be released in 1.85 aspect ratio, which means Imprint has just put out an outdated incarnation of the film on Blu-ray. Zooming in on what we have here will not produce the correct widescreen result (it must be prepared from a 'fuller image' element). Paramount needs to re-visit this relatively important '50s title and prepare it correctly; hopefully they're doing that right now for a domestic release. What Imprint has given us, rather shockingly, is about twenty years behind the times. I'm afraid you can't put digital icing on an extremely stale cake. That said, Imprint's release of Arch Obler's excellent b/w science fiction movie FIVE is breathtaking, newly scanned from the original negative. So obviously it's a case-by-case situation with these Imprint BDs, as collectors have been discovering.
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#6 | |
Active Member
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At that early point in time studios were releasing films in both formats to cater to both types of theatres, ones that had upgraded to widescreen exhibition and a different 1:37:1 print for theatres that hadn't upgraded at that point in time. While some studios released separate dedicated widescreen prints and full frame prints. Other studios took the option of releasing the full frame print only, with matting markers burned onto the print. (ie: cheaper option) for the projectionist to adjust manually. [IMG] ![]() Criterion has released several Blu-rays of films from that era with both aspect ratios. Unfortunately, Imprint doesn't have the budget or they're just too cheap to do this. That said, I'm more critical of Imprint than others, but I'll give them a pass in this regard. I can't say I've never seen a widescreen version of the film in circulation on any home media format, nor at any presentation at classic cinema screenings, I've watched at several theatres over the years. If a dedicated widescreen print actually exists, someone would have used it by now. |
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Thanks given by: | Geode (03-13-2021) |
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#7 |
Special Member
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