|
|
![]() |
||||||||||||||||||||
|
Best 4K Blu-ray Deals
|
Best Blu-ray Movie Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $82.99 5 hrs ago
| ![]() $74.99 | ![]() $124.99 1 day ago
| ![]() $99.99 | ![]() $39.02 4 hrs ago
| ![]() $29.95 | ![]() $24.96 | ![]() $70.00 | ![]() $35.99 | ![]() $23.79 16 hrs ago
| ![]() $33.49 | ![]() $33.49 |
![]() |
#1 |
Blu-ray Baron
|
![]() |
![]() |
![]() |
#7 |
Retired Hollywood Insider
Apr 2007
|
![]() |
![]() |
![]() |
#8 |
Banned
|
![]()
He's not the only one. I'm seeing too many examples where Hollywood seems to think that HDR is just a "let's make everything super bright and throw the TV into a store display 'torch mode'
So then the end result is that the HDR version ends up being this distracting version with oversaturated colors and lost detail. If I wanted my video to look like that then I wouldn't have taken the time to calibrate my display's colors and brightness, contrast, etc. levels and keep it in a standard/movie mode instead of in the overly bright and oversaturated mode it ships with by default and is used to 'wow' people looking at store displays. |
![]() |
Thanks given by: | steve1971 (06-30-2016) |
![]() |
#9 | |
Blu-ray Knight
|
![]() Quote:
|
|
![]() |
Thanks given by: | pawel86ck (05-03-2016) |
![]() |
#11 | |
Blu-ray Emperor
|
![]() Quote:
IIRC aren't you rocking the Samsung player? Is it going into an HDR set or an SDR display? |
|
![]() |
![]() |
#14 | |
Banned
|
![]() Quote:
It's the Amazon streaming content using the display's built-in app that suffers from oversaturated color. |
|
![]() |
![]() |
#15 | |
Blu-ray Emperor
|
![]() Quote:
![]() Seems like they can put in all the 10-bit panels they like, but if the video processing itself isn't up to snuff then that fancy panel counts for nought. I'm occasionally seeing a trace of banding on my Sony set (which probably has an 8-bit + Hi-FRC panel, it's 10-bit to all intents and purposes) but it's absolutely nothing like some of the examples I've seen on the Samsungs. For such a comparatively out of date TV (two years might as well be a lifetime in tech terms) it handles the 12-bit 4:2:2 SDR 2020 signal just fine for 4K24, and in terms of gamut coverage it's virtually equal to that of a 2016 Sony which I'm very pleased about. |
|
![]() |
Thanks given by: | kristoffer (05-03-2016) |
![]() |
#18 |
Senior Member
Oct 2007
|
![]()
What Joe Kane said about HLG (at 19:15 in the video) is wrong. One of the features that the BBC promotes about HLG is that it is a relative system and using a log curve doesn't change that. Joe Kane is also wrong about PQ since it doesn't use a log curve but is based on human perception. Also while Joe Kane prefers SDR near the end of the interview (at 48:32 in the video) he admits that the dynamic metadata HDR system that was shown by Samsung looked good (one of the metadata systems in SMPTE 2094).
|
![]() |
![]() |
#19 |
Blu-ray Guru
|
![]()
When I fired up the martian uhd recently to check out a few favorite scenes, it looked like ass all of a sudden, banding everywhere where there was none before.
The cause of it was the 24p setting in the k8500. I forgot I had 24p disabled (for 3d movies), setting it back to auto got rid of the banding. Just throwing that out there in case anyone finds it helpful. |
![]() |
|
|
![]() |
![]() |
|
|