|
|
![]() |
||||||||||||||||||||
|
Best iTunes Music Deals
|
Best iTunes Music Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $6.99 20 hrs ago
| ![]() $6.99 20 hrs ago
| ![]() $6.99 20 hrs ago
| ![]() $44.99 | ![]() $9.99 1 day ago
| ![]() $19.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 | ![]() $9.99 |
![]() |
#1 |
Banned
|
![]()
Hello,
I've been told that - if you must digitally transfer an old analog production master tape with only 2 stereo channels (right and left) - you must do that at 16 BIT, because 24 BIT would not make any difference. On the other hand, if you're working with a multitrack analog master tape, you must transfer each single track at 24 Bit, remix that, and what you get at the very end is a TRUE remastered and improved digital master of the album. True? At the end of the day, what you get on CD is 16 BIT anyway. |
![]() |
|
|
![]() |
|
|