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#2 |
Banned
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#3 |
Banned
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I'd love to hear some feedback here because I just bought them both and have never seen either one so I was just curious as to which film might be the better one, although I am pretty confident that both are excellent films and this was a pretty safe blind buy for me even though it sounds like Butch Cassidy has a pretty weak video transfer.
Anyone? |
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#7 |
Blu-ray King
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The Sting is a better made film, but as mentioned above both have questionable transfers. With a new master and a transfer in VC-1 or AVC Butch Cassidy would look much better much like the difference in Hoosiers, which is substantial. The Sting was recently restored and remastered, but as usual Universal pulled out the digital manipulation pen as there are instances of DNR and unnatural grain throughout the film.
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#8 |
Banned
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Thanks guys, I look forward to seeing these 2 movies.
![]() ![]() HD Goofnut, do you think new transfers might come sometime in the future? |
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#10 | |
Banned
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I see the video codec for Butch Cassidy and the Sundance Kid is MPEG-2 while The Sting is MPEG-4 AVC. Isn't MPEG-4 AVC a far superior codec, or no? Sorry for not knowing because for the most part I don't keep up with the technologies used on Blu-rays, though I should take some time and learn them given the amount of money I have spent on these things. ![]() |
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#11 |
Blu-ray Baron
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It depends on your eyesight and expectations for Universal catalog releases, but I'm pretty sure that Butch & Sundance has a far worse transfer and is further hobbled by a DVD-era encode.
Can't say which movie is better due to not having seen either film in a very long time. Last edited by Trekkie313; 07-02-2012 at 12:43 AM. |
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#12 | |
Banned
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![]() ![]() ![]() ![]() In my main system I sit almost exactly 9' away from a 60" HDTV [Show spoiler] and even then, every now and then I gotta get in closer to get a better look at some of the better BD transfers and my eyesight is about as good as it gets. Oh well, in any case I am looking forward to seeing The Sting and Butch Cassidy and the Sundance Kid. ![]() ![]() |
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#13 | |
Banned
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I actually read that out loud to hear what it's like to say something so incorrect in a public space. Robert A. Harris on Butch Cassidy and the Sundance Kid: "George Roy Hill's Butch Cassidy and the Sundance Kid was brilliant filmmaking in 1969 and remains brilliant today. The performances by Mr. Newman and Mr. Redford are sharply honed and up to date in every way. Likewise the screenplay by William Goldman remains remarkably textured, working a thin line between the old western genre and the modern buddy film. Butch Cassidy has stood the test of time. But like any extremely popular film four decades old, it is physically a bit frayed around the edges. Once parts of the original negative are damaged or gone, there is nothing to be done but to rely on preservation elements produced at the time. But the truth about those elements is that normally they were vaulted without a care -- literally never examined or tested to see if they would answer back in case of a problem. I'm not referring to Fox here. I'm referring to the industry. And there are some problems. Those among you who fit into the nit-picker category will note dupe sections, which appear derived from separation masters. They have a bit of flicker, some discoloration at the bottom of the frame, occasional dirt and other assorted discoloration anomalies. Grain haters will also have a field day, as Butch was (I believe) photographed on Eastman 5254, the same stock as Bullitt and all of the films of the early '70s. It has a magnificent grain structure, and wonderful color characteristics. This is actually one of my favorite film stocks. The audio, both in 5.1 stereo as well as the original mono seem crisp and clean, especially as derived from the DTS HD Master tracks. The truth, which is the bottom line, is that nit-picking is not in order here, as the surviving elements are what they are, and no amount of work, investment or complaining is going to change a thing. Great films do not age well from a purely physical perspective, while poorly received films seem to age beautifully. I tend to look at it this way, which is a perspective that I suggest. As a four decade old production, Butch Cassidy still seems fresh and vibrant to both those revisiting its charms as well as those who have never seen it. This is one of those films that appears that it could have been made yesterday. But here's the perspective that seems to put things in their place. Go back an equal number of years from 1969, and one is just reaching the dawn of sound -- orthochromatic black & white negatives, along with people speaking into flower vases. With the exception of Mr. Mamoulian's work, a pretty difficult transitional era. I can easily accept this wonderful film for what it is, and where today's elements allow it to be taken. I'm certain that a full 90% of viewers will never notice anything amiss here, which is why I suggest to the nit-pickers... relax, allow yourselves to be taken back to the wonderful war years of the Nixon administration, and take in Butch Cassidy for what it still is -- one of most entertaining films ever created. There are no caveats here. Fox Home Video's Butch Cassidy and the Sundance Kid in Blu-Ray comes Extremely Highly Recommended. This is one not to be missed! RAH" Last edited by Mr. Movie Fan; 07-02-2012 at 04:00 AM. |
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#14 | |
Blu-ray King
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#15 | |
Banned
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From Cinemasquid vvv of 18 reviews the average video ranking is 58 (30-90)vvv ![]() The 18 regular edition video ratings are 60,50,60,90,50,40,88,62,60,60,50,50,30,50,70,78,40 ...> Robert Harris is the only review with no numbers but he basically gave it a 100. The 18 regular edition reviews. The 2 Digibook reviews both gave it a 60. |
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#16 | ||
Banned
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From the review here on the new Hoosiers BD. vvv Quote:
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#17 | |
Blu-ray King
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#18 | |
Banned
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#20 |
Blu-ray King
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