Three Revolutionary Films by Ousmane Sembène (1971-1977) (Criterion Collection)

[MifuneFan]

Criterion will be releasing a box set highlighting three films from director Ousmane Sembène. The films include Emitaï (1971), Xala (1975), and Ceddo (1977).

Three Revolutionary Films by Ousmane Sembène

https://www.criterion.com/boxsets/73...ousmane-sembne

THREE-DISC SPECIAL EDITION FEATURES

• New 4K digital restorations of all three films, with uncompressed monaural soundtracks
• New conversation between Mahen Bonetti, founder and executive director of the African Film Festival, and film writer Amy Sall
• The Making of “Ceddo,” a 1981 documentary by Paulin Soumanou Vieyra
• New English subtitle translations
• PLUS: An essay by film scholar Yasmina Price

New cover by Ify Chiejina

Emitaï (1971)

With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe’s patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army’s wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people’s hidden reserves of rebellion and dignity.

Xala (1975)

An adaptation of Ousmane Sembène’s own 1973 novel, Xala is a hilarious, caustic satire of political corruption under an inept patriarchy. On the night of his wedding to his third bride, government official El Hadji (Thierno Leye) is rendered impotent and begins to suspect that one of his other wives has placed a curse on him. After seeking a cure from a local marabout, El Hadji must face the possibility that he deserves the infliction for his part in embezzling public funds and for helping to keep Senegal under French control. Adeptly combining elements of African folklore and popular cinema, Sembène indicts the hubris, entitlement, and opportunism of male authority figures.

Ceddo (1977)

In precolonial Senegal, members of the Ceddo (or “outsiders”) kidnap Princess Dior Yacine (Tabata Ndiaye) after her father, the king, pledges loyalty to an ascendant Islamic faction that plans to convert the entire clan to its faith. Attempts to recapture her fail, provoking further division and eventual war between the animistic Ceddo and the fundamentalist Muslims, with Christian missionaries and slave traders from Europe also playing a role in the conflict. Banned in Senegal upon its release, Ceddo is an ambitious, multilayered epic that explores the combustible tensions among ancient tradition, religious colonization, political expediency, and individual freedom.