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Best Blu-ray Movie Deals
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#1 |
Banned
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#4 |
Blu-ray Duke
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Didn't ever expect this one to reach the format tbh. Amazing!
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#5 |
Blu-ray Samurai
Apr 2018
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Great news. Long live Rip Torn!
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#11 |
Blu-ray Archduke
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Got this yesterday and watched it last night. Top notch transfer. A pretty nutty movie with Rip Torn going fully unhinged. I also love that the film those a few strange things, like have the killer get mugged and beat up. I thought that pretty funny.
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#15 |
Blu-ray Archduke
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![]() ![]() Julie, an 11 year-old girl played by Shawn von Schreiber, witnessed the murder of her mother two years ago. Unfortunately, her nightmares are far from over. When she and her father's girlfriend, played by Kate Mulgrew, are abducted by her mother's killer and held captive in the abandoned catacombs beneath Grand Central Station in New York City, the authorities are thrown into a race against time to meet ransom demands, but even they are not prepared for the remorseless evil of the kidnapper, played by Rip Torn. The 1982 thriller, A Stranger is Watching, based on a Mary Higgins Clark novel of the same name, was directed by Sean S. Cunningham just after the surprise overnight success of his previous film, the 1980 slasher, Friday the 13th. In lesser hands, this particular outing could have turned out to be a fairly innocuous screen story in the vein of made-for-television movies, but Cunningham's effectiveness with nighttime photography, combined with the charisma of all three leads, elevate the end result into engagingly gritty cinema. Schreiber and Mulgrew are both wonderfully convincing with their portrayals of characters who are always trying to outwit their tormentor, while the always-amazing Torn is believable as an unpredictably unhinged villain. I used to enjoy A Stranger is Watching on television all of the time during the early-to-mid 1980s, back when I was roughly the same age as Schreiber's lead, so my nostalgia probably elicits more praise for this film than it deserves. Even as an adult, though, I love the setting in the underbelly of the city, and I love how the pacing still keeps me on edge. This is not quite on the same tier as the first Friday the 13th, but, even as a more conventional effort, it gets the pulse racing. This Scream Factory disc looks great. The historian commentary track and Cunningham's interview are both essential for fans. |
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#16 |
Blu-ray Knight
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How the hell did I miss this flick for all these years??! Just watched it on dvd for the first time today. Great atmosphere, cool grungy cinematography, solid editing, brisk pacing, convincing enough acting, and a truly excellent score that contributes greatly to the heightened sense of urgency and alarm. I'm a huge fan of the early Friday the 13th films, and really dig Cunningham's instantly-familiar style in this very different drama/suspense effort. You get sucked in and keep watching just to see what nutty turn the story is going to take. This one's a definite buy for my collection. It's a detective/suspense/thriller of sorts with a healthy dose of slasher/maniac brutality injected into it. It's ripe with gritty, crass, bizarre interactions, tense moments, nasty struggles with even nastier injuries, and an overriding sense of unease common to most of the early-80's upper-tier slasher genre, that today's films just can't capture anymore. Worth a serious look for fans of just about anything in the vein of horror or suspense from 1975 through 1983. I agree that this could easily have been a "Thursday Night NBC horror movie of the week", but then again, they pumped out some great TV horror flicks in that era. This isn't worlds away from John Carpenter's similar 1978 effort, "Someone's Watching Me! aka High Rise." Recommended!
Last edited by DaylightsEnd; 08-04-2021 at 02:27 AM. |
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Thanks given by: | The Great Owl (08-02-2021) |
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#18 |
Blu-ray Knight
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The way Rip Torn chews through the scenery, and considering how much I appreciated the tense score and grungy atmosphere, I think this one will also have great re-watch value. With all the weird, random, unexpected attack scenes, it started to feel a bit like a late-'70s vigilante flick. That's some tasty icing on the cake, for certain.
Another thing I particularly appreciate about movies from this era is how the characters in the film are often likeable and believable, and usually react precisely how one would think these people would react, if put in the various challenging situations presented in the film, in real life. The film stays focused on the plot, and the characters help advance the story in a logical and compelling way. Simple, and effective. Today's movie scripts, quite to the contrary, are chock full of preposterous, moronic dialogue, idiotic decisions, utterly bizarre and inexplicable behavior......things that ordinary people would absolutely NEVER SAY or DO, under similar circumstances, or otherwise. Today's horror and suspense films feel highly unrealistic, partly for this very reason, even without the ridiculous cgi and preposterous social justice agendas that almost always eviscerate the vast majority of new films anyway. Irony, chance, intrigue, and surprise are left on the table in favor of a few cheap jump-scares, and a bunch of out-of-place shock value. They can't just seem to tell a simple, engaging story anymore either, without turning everything into an eye-rolling, nauseating propaganda piece, full of loathsome losers. At some point after 1983, "ordinary and believable" fell heavily out of favor in Tinseltown. Last edited by DaylightsEnd; 08-04-2021 at 03:04 AM. |
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Thanks given by: | DukeTogo84 (08-04-2021) |
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#19 |
Special Member
Mar 2009
NC
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