Sooo, no point owning the Shout! release it has the same exact features (Unless Paramount is including the old Blu-Ray disc, which what would be the point of that!);
And a J Card along with a Slipcover, that's a first!
Sooo, no point owning the Shout! release it has the same exact features;
[Show spoiler]
And a J Card along with a Slipcover, that's a first!
I believe it's missing all the new interviews from SF's release.
These:
Quote:
NEW Reflecting on Hell – An Interview with Director Paul W.S. Anderson (10:06, 1080p) - Anderson looks back at the scripts and films he was offered around the time he learned about Event Horizon. He summarizes filming at Pinewood Studios, the sets that were built, and painterly influences. He also fills in gaps from previous extras with additional details about the three cuts and test screenings. In English, not subtitled.
NEW Ghost Galleon – An Interview with Writer Philip Eisner (9:00, 1080p) - Eisner says he pitched "The Shining in space" to Paramount's producers. Eisner recounts the scaffolding he saw inside Pinewood, the spaceship, "The Lucky Strike" scene that was storyboarded but apparently never filmed, his original conception of the Heaven/Hell environ he envisioned, and the big ball. Audio is low. In English, not subtitled.
NEW Organized Chaos – An Interview with Actress Kathleen Quinlan (7:51, 1080p) - recorded in her home kitchen, Quinlan explains how proud she is to be part of a lineage of strong female heroines. She also talks about working with Anderson and Fishburne. Quinlan delighted in working on the sound stages at Pinewood and explains the stunts that she performed. In English, not subtitled.
NEW Compassion in Space – An Interview with Actor Jack Noseworthy (8:33, 1080p) - the piece begins with this disclaimer: "This interview contains technical anomalies related to remote interview circumstances out of control of the producers. We appreciate your understanding." Noseworthy shares losing a family member before filming started that affected him and informed his onscreen persona. He speaks fondly of Anderson and working often with the makeup team. There's some buffering and Noseworthy's voice modulates but I could make out all the words. In English, not subtitled.
NEW The Doomed Captain – An Interview with Actor Peter Marinker (2:55, 1080p) - Marinker recalls receiving Eisner's script and his reaction. He also explains the importance that his short scene played in the plot as well as the "amazing set." In English, not subtitled.
NEW Space Cathedral – An Interview with Production Designer Joseph Bennett (5:32, 1080p) - Bennett remembers the tight thirteen-week schedule the crew had in pre-production. He explains how his team molded the sleep pods and the big sphere. In English, not subtitled.
NEW Something New – An Interview with Set Decorator Crispian Sallis (7:31, 1080p) - Sallis is interviewed in his multimedia library. He speaks about working for Joseph Bennett and how they designed the Lewis and Clark vessel as well as the Event Horizon spacecraft. Sallis explains how he did the source lights. The interview's highlight is Sallis's description of the gravity drive Neil's character goes into and the green circuit boards he crawls through. Sallis describes how Bennett and him welded the motherboard to the panels and ducts. In English, not subtitled.
NEW Taking Care of It – An Interview with Production Manager Dusty Symonds (3:21, 1080p) - Symonds goes into the role modelmaker Daniel Bennett played on the set, the hectic production schedule, and Sam Neil's performance with heavy makeup. In English, not subtitled.
NEW Reinforcements – An Interview with Second Unit Director Robin Vidgeon (3:52, 1080p) - Vidgeon remembers receiving a call from unit production manager Dusty Symonds and forming his own mini-crew. He shares some production tales and directing one of the scenes aboard the spaceship. In English, not subtitled.
NEW Almost Real – An Interview with Location Manager Derek Harrington (2:57, 1080p) - Harrington recalls getting a call from then-production supervisor Malcolm Christopher and finding appropriate locations to model the sets after. In English, not subtitled.
NEW Screams from the Cosmos – An Interview with Sound Designer Campbell Askew (6:37, 1080p) - Askew recorded a lot of new sounds especially for the spaceship. He also went on to the foley stage to generate the metallic sounds. He remembers the re-voicing that had to be done after scenes were shot at Pinewood. In English, not subtitled.
What the hell movie is this steelbook for? Surely not Event Horizon. Of all the design choices for Paramount's first clear slip and they go with zombie hands!? So many better design options. The lighted rings of the sphere/portal being on the clear slip was right there for them. Or how about the ship and lightning on the slip and space and stars on the background/steelbook? And repeating the eye on the back too! Love the movie, but this is a total missed opportunity.
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Event Horizon 4K Steelbook (US)
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