New digital restoration, with uncompressed monaural soundtrack on the Blu-ray
Audio commentary featuring film scholar James Naremore, author of The Magic World of Orson Welles
New interview with actor Keith Baxter
New interview with director Orson Welles’s daughter Beatrice Welles, who appeared in the film at age nine
New interview with actor and Welles biographer Simon Callow
New interview with film historian Joseph McBride, author of What Ever Happened to Orson Welles?
Interview with Welles while at work editing the film, from a 1965 episode of The Merv Griffin Show
Trailer
New cover by Sterling Hundley
Quote:
The crowning achievement of Orson Welles’s extraordinary film career, Chimes at Midnight was the culmination of the filmmaker’s lifelong obsession with Shakespeare’s ultimate rapscallion, Sir John Falstaff. Usually a comic supporting figure, Falstaff—the loyal, often soused friend of King Henry IV’s wayward son Prince Hal—here becomes the focus: a robustly funny and ultimately tragic screen antihero played by Welles with looming, lumbering grace. Integrating elements from both Henry IV plays as well as Richard II, Henry V, and The Merry Wives of Windsor, Welles created a gritty and unorthodox Shakespeare film, one that he intended, he said, as “a lament . . . for the death of Merrie England.” Poetic, philosophical, and visceral—with a kinetic centerpiece battle sequence that rivals anything else in the director’s body of work—Chimes at Midnight is as monumental as the figure at its heart.
Source:
[Show spoiler]Blu-ray is expected to arrive in late 2016, according to Criterion's president, Peter Becker. It's a 4K restoration and definitely sounds like an improvement over the existing Region B releases.
Here's the full interview with Becker, via Wellesnet.com.
Quote:
Orson Welles fans can expect an exciting start to 2016 with daily screenings of a newly restored Chimes at Midnight at the Film Forum in New York City on January 1 through 12.
The Film Forum showcased the restoration undertaken by Filmoteca Española at the start of 2015 as part of its Orson Welles 100 series, but Repertory Director Bruce Goldenstein said the upcoming showings would feature a new restoration from Janus Films and the Criterion Collection. He was kind enough to connect Wellesnet with Criterion President Peter Becker.
The upcoming release, Becker said, is the culmination of more than 20 years and two generations of effort on the part of Janus Films.
"There is no film we have waited longer for or worked harder to free up, and none we are prouder to present," said Becker of Chimes at Midnight.
"The goal of this restoration was to create the best possible theatrical experience audiences could enjoy today. Using the scan from the Filmoteca, made from the original negative, we were able to make marked improvements in both picture and sound over anything that has been shown before. Careful color correction improved contrast, grey scale, and black levels. Weeks of digital restoration at Criterion addressed dirt, tears, splices, stains, scratches, and flicker. Restoring and evening out the many opticals throughout the film was one of the greatest challenges. The soundtrack has been gently cleaned to remove surface dirt and distracting thumps that appeared at many of the scene changes, but the character of the original, largely post-synced audio has been maintained," Becker said. "We have been thrilled by the responses to this new version, and we are confident that once audiences are reintroduced to the film, it will be able to retake its rightful place as one of Welles' masterpieces."
He added, "While this restored release fulfills what we feel is a longstanding debt to U.S. audiences – making one of the treasures of cinema history broadly available in a high-quality presentation for the first time in many decades – our work on Chimes at Midnight is not done. We will continue to collaborate with Filmoteca, the Piedra family and archivists and restorers around the world to bring about the full preservation and 4K restoration the film deserves, but that process may take years to complete. At this moment, at the culmination of Welles' centenary, we feel that what the film needs most is an audience, and thanks to this restoration we feel confident that the film will reach that audience looking the best it ever has."
He noted the discovery earlier this year of what was described as an original, pristine 35mm print of Chimes at Midnight.
"We opted not to use it," Becker said. "It is indeed a very good print, but a print. There is no comparison in detail between even the best-made and preserved print and an original negative or fine-grained master, which are pre-print elements with much finer resolution."
It has been expected that Chimes at Midnight will make its U.S. Blu-ray debut in late 2016. However, Becker said that a release date has not been announced by Criterion.
Good news! Been interested in checking out Falstaff for a long time.
Quote:
Originally Posted by iScottie
In case anyone is wondering, Othello, The Immortal Story, and It's All True are supposed to be released by The Criterion Collection, as well.
If I recall correctly, The Deep was also rumored.
Now if Carlotta US would just release the Macbeth restoration here. It'd be nice to get English subtitles as well. Didn't much care for the presentation of the Olive Blu-ray.
The soundtrack has been gently cleaned to remove surface dirt and distracting thumps that appeared at many of the scene changes, but the character of the original, largely post-synced audio has been maintained ...
If they release Othello I hope they will include the original audio as well as the restored version that Beatrice Welles had created. In some ways the restored version is an improvement, and admittedly there are a lot of problems with the original, but it is the original that Welles created. Include both for viewers to enjoy.
In case anyone is wondering, Othello, The Immortal Story, and It's All True are supposed to be released by The Criterion Collection, as well.
If I recall correctly, The Deep was also rumored.
I knew about Othello and The Immortal Story, but the other two are news to me. I've followed the developments (or lack thereof) regarding the restoration of the unfinished version of The Deep; at the most, I can see that being included as a supplement on a different release. The ending was never shot, and a lot of voiceover work that needed to get done never did.
If they release Othello I hope they will include the original audio as well as the restored version that Beatrice Welles had created. In some ways the restored version is an improvement, and admittedly there are a lot of problems with the original, but it is the original that Welles created. Include both for viewers to enjoy.
We have been told by the Estate that the current plan is for the upcoming Criterion release to include both the original and restored versions of Othello.
Ray Kelly
Wellesnet.com
In case anyone is wondering, Othello, The Immortal Story, and It's All True are supposed to be released by The Criterion Collection, as well. If I recall correctly, The Deep was also rumored.
Othello is definite. The Immortal Story rights are held by Janus, so that's a real possibility. I have heard the It's All True rumor too, but I don't know anything certain on that. Stefan Droessler of the Munich Filmmuseum told me there are no immediate plans to release The Deep workprint.
I won't throw any tomatoes. For me, a big part of what makes Chimes so great is how efficiently it manages to condense the events of two Shakespearean histories (and throw in elements of others) and not seem particularly rushed.
More than that, it is a towering example of adapting Shakespeare for the screen. Maybe I'm biased, as Henry IV 1 and 2 were probably the first of his plays that I read independently just cuz I wanted to; I loved the darn things, and still do. Hilarious, moving, thrilling, insightful -- they're just so well-rounded as dramatic works.
Welles is clearly having such a great time as Falstaff, and having surrounded himself with likewise capable talent, it's easy to miss just how skillful it is as a piece of film -- budgetary limitations be damned.
That is great news, great news indeed! I saw Chimes at Midnight a year or two ago and was floored by it. The audio, though, was very problematic.
Quote:
our work on Chimes at Midnight is not done. We will continue to collaborate with Filmoteca, the Piedra family and archivists and restorers around the world to bring about the full preservation and 4K restoration the film deserves, but that process may take years to complete.
Can someone "translate" this for me? Are we talking photochemical restoration/preservation or what? Or are they saying that they're releasing a "work in progress" instead of a full/complete restoration? I'm really puzzled by this statement.
That is great news, great news indeed! I saw Chimes at Midnight a year or two ago and was floored by it. The audio, though, was very problematic.
Can someone "translate" this for me? Are we talking photochemical restoration/preservation or what? Or are they saying that they're releasing a "work in progress" instead of a full/complete restoration? I'm really puzzled by this statement.
Well, according to Robert Harris it's not a film that needs restoration in the first place.
The elements are supposed to be in excellent condition.
That is great news, great news indeed! I saw Chimes at Midnight a year or two ago and was floored by it. The audio, though, was very problematic.
Can someone "translate" this for me? Are we talking photochemical restoration/preservation or what? Or are they saying that they're releasing a "work in progress" instead of a full/complete restoration? I'm really puzzled by this statement.
My best guess: I think the word in that statement that should have been used instead of "restoration" is "remastering."
New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
Audio commentary featuring film scholar James Naremore, author of The Magic World of Orson Welles
New interview with actor Keith Baxter
New interview with director Orson Welles’s daughter Beatrice Welles, who appeared in the film at age seven
New interview with actor and Welles biographer Simon Callow
New interview with film historian Joseph McBride, author of What Ever Happened to Orson Welles?
Interview with Welles while at work editing the film, from a 1965 episode of The Merv Griffin Show
Trailer]
Last edited by Oscar Rothman; 05-16-2016 at 09:32 PM.
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Chimes at Midnight (1965)
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