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#1 |
Member
May 2008
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The title says it all. Beating a dead horse, maybe
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#4 | |
Power Member
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but The Nightmare Before Christmas sounds fabulous and not at all "flat." |
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#5 | |
Super Moderator
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Dynamic Range Compression
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#7 |
Blu-ray Samurai
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Ultimately, it comes down to source material and the care/time/money spent on the current transfer.
Directors and sound engineers that took the time to make everything sound and look perfect and natural from the beginning are gonna reap bigger rewards with the new formats. Obviously the transfer requires the utmost attention to detail as well, but credit and attention need to be placed at the feet of the PEOPLE responsible for the results, not some gizmo or new technology. I think several people have mentioned before that there are great audio tracks across all the new audio codecs. |
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#8 | |
Member
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#9 |
Member
Mar 2008
Singapore
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Go to the forum under 'Blu-ray movies and Releases' on the thread
'Transformer Blu-ray is weak' and you'll get your question answered about DRC. It's my own opinion here that the older Dolby Digital codec which is a lossy audio format where it's compressed to the point that DRC is needed in order to hear more pronounced dialoque amid all the sounds and bass of the movies. Whereas the newer Dolby TruHd which is lossless does not require any DRC to control the dialoque in movies. |
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#10 |
Member
May 2008
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Nightmare is probably the best TrueHD movie to date, but far from flawless. My set-up is done properly with a system that is more than able to deliver the goods. Maybe it is still too early to judge considering there are still the odd BD coming out solely in lossy format
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#12 |
Blu-ray Ninja
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#16 | ||
Power Member
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Which has nothing to do with your initial claim. |
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#17 | |
Blu-ray Guru
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#18 |
Blu-ray Prince
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It all comes down to the use of dialnorm on the Dolby TrueHD encoders the studios use to create the Dolby TrueHD soundtracks on your Blu-rays from the original PCM studio masters. Dolby stupidly set the default position for dialnorm to "on" in their encoder and many of the brain dead studios leave it that way when creating the Dolby TrueHD soundtracks. Dialnorm can't be applied to PCM soundtracks and DTS wisely left the dialnorm default in their encoder to "off". Dynamic range compression is the enemy of high quality movie sound and should never have been used on a BD.
There is some disturbing information coming to light that Sony has started using dialnorm on their Dolby TrueHD tracks recently after promising us they wouldn't last year. |
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#19 | |
Banned
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DialNorm is a simple volume level change. DRC is completely different. Dynamic range is NOT affected by DialNorm at all! TrueHD has a night mode (DRC) which on a lot of decoders is set to "Auto". The studios sometime decides to set the DRC flagged to "ON" (probably to get less complaints for those who "keep having to turn up & down their volume on title *xxxxx*" Transformers was a decision by the sound mixers to mix a lot of the bass to the main channels. Since TrueHD is an exact representation of the original masters, it exposed those who don't have their bass management set properly! Finally, for those who think DTS-MA is "all that" obviously haven't listened to titles like RoboCop, Hoosiers, The Fly etc. Put those up against titles like Cloverfield, Batman Begins, The Perfect Storm, or Beowulf and tell me again TrueHD sounds "flat". Last edited by PeterTHX; 09-18-2008 at 01:10 AM. |
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#20 | |
Super Moderator
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![]() DRC is a good idea (like using late at night), not so good when its on unknowingly and you think the music is "flat". ![]() ![]() |
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