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View Poll Results: Favorite Non-Oscar Nominated Performances: Actor, 1928 | |||
George Bancroft, The Docks of New York |
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0 | 0% |
Lionel Barrymore, Sadie Thompson |
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0 | 0% |
Lionel Barrymore, West of Zanzibar |
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0 | 0% |
Warner Baxter, In Old Arizona |
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0 | 0% |
Johnny Mack Brown, Our Dancing Daughters |
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0 | 0% |
Lon Chaney, Laugh, Clown, Laugh |
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0 | 0% |
Lon Chaney, West of Zanzibar |
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0 | 0% |
Jean Debucourt, The Fall of the House of Usher |
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0 | 0% |
Charles Farrell, Street Angel |
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1 | 8.33% |
William Haines, Show People |
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0 | 0% |
Lars Hanson, The Wind |
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0 | 0% |
Buster Keaton, The Cameraman |
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0 | 0% |
Buster Keaton, Steamboat Bill, Jr. |
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8 | 66.67% |
James Murray, The Crowd |
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0 | 0% |
William Powell, The Last Command |
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0 | 0% |
Eugene Silvain, The Passion of Joan of Arc |
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0 | 0% |
Conrad Veidt, The Man Who Laughs |
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2 | 16.67% |
Erich von Stroheim, The Wedding March |
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0 | 0% |
Louis Wolheim, The Racket |
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0 | 0% |
Other (please specify) |
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1 | 8.33% |
Voters: 12. You may not vote on this poll |
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#1 |
Blu-ray Guru
Jun 2024
California
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As the title of the thread suggests, we're looking to pinpoint the Next Best Celebrated Acting Performances of film history. Plenty of great turns get ignored or forgotten through the sands of time, and this is a quick way to review and vote for our favorites.
This is for the North American calendar release year of 1928, so to save us clicking on Wikipedia, the following Oscar nominees are exempt: Best Actor - Emil Jannings, The Last Command and The Way of All Flesh Richard Barthelmass, The Noose and The Patent Leather Kid Charlie Chaplin, The Circus Best Supp. Actor - award not established until 1936 Anything else is fair game! You may notice that the choices are primarily Leading roles, but I'm not going to disallow other selections. It doesn't seem fair or sensible to quibble about Lead/Supporting categories. Feel free to discuss these or other choices, 1928 the movie year in general, or any other rankings or opinions. Thanks to everyone participating in these crazy polls! Cheers!! |
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#2 |
Expert Member
Sep 2019
Neither here nor there
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I love the seemingly effortless charisma of Willy Fritsch in Fritz Lang's "Spione". And the guy transitioned into sound beautifully, sustaining a long and successful career in Germany.
But I've yet to see anyone look as convincingly, hopelessly smitten as Conrad Nagel was of Garbo in "The Mysterious Lady". The long first section of that film - with both stars operating at full tilt - represents screen romance at its headiest. So he gets my vote. |
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Thanks given by: | SelwynMcGinty (10-01-2024) |
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