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#1 |
Power Member
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![]() ![]() Ape 3D Blu-ray Mister Lime announced the release in the Kino Lorber Studio Classics Thread. UPDATE The 3-D Film Archive will be restoring the film. Last edited by Deciazulado; 12-15-2016 at 09:15 AM. |
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Thanks given by: | applemac (02-26-2016), bavanut (02-26-2016), BleedOrange11 (02-25-2016), BobbyMcGee (02-25-2016), Brett C (02-25-2016), davidsal (02-25-2016), deltatauhobbit (02-26-2016), FatalSpiderbite (02-26-2016), kidglov3s (02-25-2016), Paul H (02-25-2016), Taygan315 (02-26-2016), UFAlien (02-25-2016), Zivouhr (04-23-2016) |
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#3 |
Blu-ray Guru
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This is kind of amazing. I'm sure watching a man in a gorilla suit knock over stiff plastic cows and wrestle limp rubber sharks will be even more awe-inspiring in 3D.
I do wonder if they were competent enough to shoot the monster scenes in hypostereo to make him seem larger instead of making his real scale (even more) obvious. I'm guessing not. |
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#4 |
Blu-ray Samurai
Jun 2012
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The DP was Daniel Symmes and he knew his way around the Space-Vision 3-D lens.
The same lens was used on THE BUBBLE. |
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#6 |
Blu-ray Samurai
Jun 2012
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#8 | |
Blu-ray Samurai
Jun 2012
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From our website: http://www.3dfilmarchive.com/silver-age-1966---1986
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#9 | |
Power Member
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Thanks given by: | appleslapscoco44 (12-19-2016), bavanut (02-26-2016) |
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#12 |
Blu-ray Samurai
Jun 2012
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Offhand, I don't know.
There are articles on this page, perhaps they answer your question: http://www.3dfilmarchive.com/home/The-Bubble |
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#13 | |
Expert Member
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Yes, the Space-Vision lens had a fixed interaxial of 67 millimeters, I think. For all its charms-- and yes, it does have some-- A*P*E is not a film concerned with orthostereoscopic scale. :-) |
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Thanks given by: | BleedOrange11 (02-26-2016), Interdimensional (10-19-2016), Paul H (02-26-2016), UFAlien (02-26-2016) |
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#14 |
Active Member
Oct 2014
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You were very close, Mike!
SpaceVision had a fixed I/A of 65mm (2.55 inches). |
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Thanks given by: |
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#15 | |
Blu-ray Ninja
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The same field of view desired for camera capture and viewed image? i.e. Orthostereoscopic scale is the same physical FOV as recorded by the camera? In the 2013 movie "Jack the Giant Slayer", I've read where increasing separation of the Left and Right cameras made a stereo perspective of the town's people look tiny in the perspective images physical FOV; and the Giants, that were filmed independently with closer camera separation, looked massively large viewed at the same images FOV. |
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#16 |
Blu-ray Samurai
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Orthostereoscopic means "real world" size and proportions. I'm assuming that the miniature models in APE have too much depth and look like doll house pieces instead of real buildings, ships, etc.
http://nzphoto.tripod.com/3d/310orthostereo.htm |
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Thanks given by: | Richard--W (04-26-2016) |
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#18 | |
Expert Member
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That said, it does offer considerable entertainment value if one comes at it in the right frame of mind. I think the film's chief asset, apart from the lovely and charming Joanna Kerns, is the stereo cinematography by the late and greatly missed Dan Symmes. |
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Thanks given by: | Taygan315 (02-26-2016) |
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#20 | |
Expert Member
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There were three f-stop settings: 4.5, 6.3 and 11. My birthday was just a few weeks ago, so I'm having the typical "another year older" memory lapse on the focal length. I want to say 35 millimeters. EDIT: Lipton in one place says 32 mm., and in another place 35. The number "32" was tickling my memory, but I cannot say for sure right now which figure is correct. There is a document on Bob's website which claims a 2.64-inch I/A for Space-Vision, which would work out to 67 millimeters, and that's how I came by that number. Right or wrong, I have been carrying that number around in my head for quite a while, and, unlike so many things, it has not leaked out. Ha ha ha! :-) Last edited by bavanut; 02-26-2016 at 03:27 AM. |
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Thanks given by: | Richard--W (04-26-2016) |
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