|
|
![]() |
||||||||||||||||||||
|
Best Blu-ray Movie Deals
|
Best Blu-ray Movie Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $74.99 1 day ago
| ![]() $35.99 18 hrs ago
| ![]() $44.99 | ![]() $54.49 | ![]() $33.49 1 day ago
| ![]() $24.96 | ![]() $33.49 1 day ago
| ![]() $70.00 | ![]() $99.99 | ![]() $29.95 | ![]() $30.49 | ![]() $35.99 1 day ago
|
![]() |
#1 |
Active Member
|
![]()
I can't wait for this lousy trend to die out. This reminds me of my early teenage years where I played around with highlights, midtones and shadows in my semi-professional video editing software, trying to be edgy. In the 90s they also used over-the-top scene transition effects. They also died out. I hate to see classics getting destroyed by colour grading, just because it's trendy at the moment.
|
![]() |
![]() |
#2 |
Blu-ray Guru
|
![]()
Geez, so many threads about deadly diseases here.
|
![]() |
Thanks given by: |
![]() |
#4 |
Power Member
|
![]()
If you restore a film from negative though, color timing is an essential part of process. Unless you're going with a previously timed positive print, but you won't get the benefit of 4K from that source. I know you're trying to get at the Teal & Orange debate with newer movies more likely, but it is a step in the process.
![]() |
![]() |
Thanks given by: | Special Feature (12-27-2022) |
![]() |
#5 | |
Special Member
Feb 2014
Los Angeles, CA
|
![]() Quote:
I think in general studios make a solid effort to either grade from a director approved positive from back in the day, or literally call the director up and have him give approval. The problem with going "well back in the 90's I saw X movie on 35mm and it looked totally different!", is that A.) Memory sucks, B.) color and contrast standardization across film prints sucks. Studio's might want to publish that info like Criterion does, though. I'm sure if Criterion wasn't famous for consulting filmmakers, a select group of people would whine about how like, the Terry Gilliam approved Fisher King looked like it had a new grade. There are probably some issues with modern releases, though. Roger Deakins hasn't seen much of any of his films on Blu-ray. I'm not sure how much a studio has the director involved in the compression. I know ever since The Dark Knight disaster that Nolan keeps an eye on it, but outside of that... |
|
![]() |
![]() |
#8 |
Retired Hollywood Insider
Apr 2007
|
![]()
As long as someone speaking beyond their expertise and experience doesn’t start a thread making an analogy to STDs, then I think we’ll be o.k..; otherwise, some of the more *adventurous* amongst us (given past experience) just might start subconsciously scratching down there.
|
![]() |
![]() |
#9 |
Retired Hollywood Insider
Apr 2007
|
![]() |
![]() |
![]() |
#11 |
Blu-ray Baron
|
![]()
The original theatrical version had his uniform leaning a bit more teal to distinguish from blue screen effects; however, on the expanded version they tweaked it to blue. I gave sources for this in the Superman thread.
|
![]() |
![]() |
#12 |
Blu-ray Prince
|
![]()
I'm glad Superman approves.
![]() I'm a Blu-Ray collector, not a doctor! If we want to properly diagnose our Blu-Rays, let's call it methemoglobinemia for all the teal (Terminator) and jaundice for all the yellow (TGTBATU). ![]() |
![]() |
![]() |
#13 | ||
Retired Hollywood Insider
Apr 2007
|
![]() Quote:
![]() So, in response, just thought I’d pass on what I learned on the Discovery Channel…..or perhaps it was a recent stay at the Holiday Inn Express? I have a sneaky suspicion that the OP drives this truck…. http://alphalab.london/ and shouldn’t be posting while driving. ![]() Anyway, on a more serious note, one of thee photochemical timers still working….. https://www.linkedin.com/pub/mato-de...ian/1b/451/477 Goes by ‘Mato’ ![]() |
||
![]() |
![]() |
#14 | |
Power Member
|
![]() Quote:
![]() Reminds me, I want spaghetti... ![]() |
|
![]() |
![]() |
#15 |
Retired Hollywood Insider
Apr 2007
|
![]() |
![]() |
![]() |
#16 |
Blu-ray Ninja
|
![]()
Gezus...every color film ever made was color graded.
If you don't like trends in color grading, like teal or whatever, or if you don't like re-mastering that changes the color of a classic film, that's another story. Films would look like crap if not color graded. The color would change with every shot. Most films look like crap out of the camera. |
![]() |
![]() |
#18 |
Banned
|
![]()
People in here are being too pedantic. It's quite obvious the OP is referring to modernizing older films with more modern color schemes, like adding heavy teal and yellow tints that were never present previously. Obviously some form of color timing is necessary, but the idea is to match new master (or at least attempt to match the new master) to look as close as they can to how it originally was meant to look. When they start making "artistic" choices to make older films look teal or yellow, that's when I have a problem, and I'm sure that's what the OP was referring to.
|
![]() |
![]() |
#19 | |
Blu-ray Samurai
|
![]() Quote:
He was referring to cancer, for impact. I guess he's a lousy writer. |
|
![]() |
![]() |
#20 |
Retired Hollywood Insider
Apr 2007
|
![]()
These days several forum members seem to want to become an Oncologist.
Doesn’t anyone desire to be a crispy-grilled (by Cinema Lowdown), Hollywood Studio mastering department executive ? |
![]() |
|
|
![]() |
![]() |
Tags |
colour degrading |
|
|