Oh Canada! (2024)

[Cremildo]

Enthusiasts of Paul Schrader’s Facebook are well aware he’s moved into a new Hudson Yards spot––I’d suggest this as essential viewing––and it’s subject of a fascinating, deeply moving profile in Curbed anchored around caring for his wife Mary Beth Hurt (try reading the last couple lines and not sighing) and which portrays someone who finds enviable degrees of focus in doing their work. Mentioned therein are a few new projects: no indication of the Puerto Rico-set feature he teased last fall, but word he’ll very soon stage a reunion from his most iconic writing-directing job.

If all goes well, Schrader is directing Richard Gere this summer for the first time since American Gigolo––or, had things had once gone to plan, The Walker––in an adaptation of an unnamed novel by Russell Banks, a personal friend and source for one of his best films, Affliction. Adriane Quinlan, author of the Curbed piece, has confirmed Schrader will adapt Banks’ 2021 novel Foregone, which he hopes to title Oh Canada! and compares to Tolstoy’s The Death of Ivan Ilyich. (LA Review of Books noted such resemblance at the time of publication.) Harper Collins’ synopsis would suggest interest for a filmmaker constantly dwelling on their mortality:

At the center of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex–star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer, and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession.

Imaginatively structured around Fife’s secret memories and alternating between the experiences of the characters who are filming his confession, the novel challenges our assumptions and understanding about a significant lost chapter in American history and the nature of memory itself.
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[Cremildo]

[RFK]

Great news! So many directors lose their touch as they get older but Shrader seems to get better and better.

[Cremildo]

[Cremildo]

Schrader:

"The shoot was only seventeen days. I kept all the scenes we shot. The rough cut was ninety minutes. The final cut is ninety-one minutes. That's how I work. To the bone."

"It's the first time, since Mishima, that I've made a puzzle-film. Which is to say, an assemblage of scattered memories, disparate formats, fragments."

[Cremildo]

More

[Mr. Chaverria]

Interesting. I'm game for this.

[Cremildo]

Acquired by Kino Lorber.

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Oh, Canada – Official Trailer - YouTube

[johnny-torrance]

This looks beautiful. I'm so happy Schrader has been having a very late career resurgence and also having the time of his life on Facebook, which I've been enjoying heavily as well. He never stopped working, but I think he fell off slightly around the "Exorcist" prequel, but he got his groove back on "Dog Eat Dog" for me and has only gotten better, in my opinion, with each subsequent film. It's also been very fun for me revisiting his past films as of late with the new blu-ray/4K releases of "Touch", "Affliction" and "American Gigolo."

Would love it if somebody finally gave "Light of Day" a blu-ray release.