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#3001 | |
Blu-ray Guru
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#3002 | |
Blu-ray Knight
Feb 2012
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Anyway, I did my third viewing in IMAX laser 3D (after regular 3D and Dolby Cinema 2D for other viewings) and the 1:43 scene was very noticeable and impressive, and it did expand to 1.9 for screens/projectors with that ratio. |
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#3004 |
Expert Member
Sep 2012
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Interesting snippet re: BR 2049 - Deakins and co didn't do the DMR special sauce upscale on BR2049, they did their own reformat to 1.9:1 and retime, much like Skyfall.
https://www.rogerdeakins.com/film-ta...2049-2d-or-3d/ |
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Thanks given by: | Blu-Malibu2009 (09-23-2017), FAShaffi (09-23-2017), Geoff D (09-23-2017), GLaDOS (09-23-2017), Spike M. (09-23-2017) |
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#3005 | |
Senior Member
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#3006 |
Blu-ray Knight
May 2017
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#3008 |
Special Member
Feb 2014
Los Angeles, CA
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#3009 | |
Blu-ray Knight
Feb 2012
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As I expected given the only IMAX theater in my area it played in, the film was presented in scope in order to fill the screen. Does kinda make me wonder why the film wasn't shot in scope, as it looked really good for the flying sequences, though naturally there were parts of heads cropped off in interior dialogue scenes. |
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#3010 | |
Special Member
Feb 2014
Los Angeles, CA
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#3011 | |
Blu-ray Knight
May 2017
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#3012 | |
Blu-ray Knight
Feb 2012
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It actually worked out pretty well with The Last Knight since no aspect ratio jumps (glad to have the VAR version at home, but think on a big screen like that it would've been distracting changing every shot) and the film fit scope fine, so I chose it there, but yeah this is definitely a film better seen on a flat screeen. |
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#3013 |
Blu-ray Knight
Feb 2012
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Yeah, I noticed that too with the cinematography. Liman always shot on film before as far as I know (even The Wall earlier this year), and the cinematography was a mixed bag and had an overly digital look in some spots IMO, the IMAX sound mix was nice though.
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#3015 | |
Expert Member
Sep 2012
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#3016 | |
Blu-ray Knight
Feb 2012
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At this IMAX (AMC Kips Bay), they did present Riddick correctly in 1.9 using pillarboxes, but maybe people complained about that, and I first noticed them presenting 1.85 titles cropped to scope with Alice Through the Looking Glass (and that looked very sloppy, while there wasn't a lot of subtitles used, when they were the bottom parts of words were cut off for instance). Also, at AMC Empire, which is not a scope screen but is a bit wider than 1.9, I recall they completely filled the screen with The Avengers (the cropping wasn't really noticeable though then). I actually think having scope IMAX screens aren't the worst as long as there are other IMAX options, as it works really well for the majority of films in that format, but yeah, I usually make sure to avoid seeing films with special IMAX formatting there. |
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#3017 |
Active Member
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#3018 |
Blu-ray Guru
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#3019 |
Blu-ray Count
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#3020 |
Blu-ray Guru
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Sorry if someone posted this but... this has to be IMAX's most ridiculous lie yet right? Carnival Cruise Lines made a big deal about having the "first IMAX at sea" and well... this is it.
![]() ![]() That's like... a medium-sized normal theatre screen. It doesn't even look like the architecture is "optimized" for field of view immersion with a shallow seating angle. I mean I guess for a movie theatre crammed into a cruise ship it's not bad but... IMAX? Really? |
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