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#841 |
Blu-ray Knight
Feb 2012
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Saw Sicario tonight as my first trip to the Dolby Cinema/seeing laser projection. The image quality was solid but nothing revolutionary IMO (though the Dolby Cinema intro, which was clearly designed to play to the system, looked better for sure but still perhaps short of jaw dropping) and still not fully sold on how they use the Atmos sound system at that location mainly to vibrate the seats with the big sound effects, but a nice theatrical experience overall.
I expect the IMAX laser system would be more impressive visually/audiowise, if for nothing else than even if all the NYC locations are currently liemax, their screen sizes (including one in the same building as the Dolby Cinema) are bigger. Movie itself was good, with a pretty killer third act. |
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#842 | |
Blu-ray Baron
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#843 |
Blu-ray Knight
Feb 2012
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Well, it certainly is at the Dolby Cinema at the AMC Empire and is an Atmos title. But I think you may be right that it is not a Dolby Vision title- which would show off the system to its best (as I said the Dolby Cinema intro is what looked the best with the showcase of the colors and the contrast), yet I would still assume it should look better than at a regular location do to the projection technology.
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#844 | |
Blu-ray Baron
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#845 |
Active Member
Sep 2013
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I'm sceptical that Dolby Cinema can replicate the IMAX Experience. There is something special about IMAX and the big screens and sound. Dolby is way too late to the game with Dolby Cinema IMO.
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#846 |
Blu-ray Baron
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I'm done with IMAX. They're sound system is outdated, their DMR is hideous, and their laser projectors pale in comparison to Dolby's. I'll only go to IMAX films that are shot in the format and in 70mm.
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#847 | |
Blu-ray Knight
Feb 2012
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Plus, the fact that Sicario is playing there as a non Dolby Vision title is another issue Dolby could have. Films without Vision and maybe even Atmos will play in Dolby Cinemas, and will that is still a nice theatrical experience, someone has to research to see if they are getting a title which bests shows off the system (I can usually find if a title is Atmos in an instant search, but Dolby Vision info takes a little digging currently), while there is something to be said for the fact that if a title is playing in IMAX, you know it has been specifically mastered in that format and has an IMAX sound mix. |
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#848 | |
Active Member
Sep 2013
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I also think Dolby should be trying to make an alternative to the smaller auditoriums inside an IMAX location. Those screens would do well As for Scicario in a Dolby Cinema but not mastered in Dolby, there is lies probably the biggest issue with Dolby Cinema. Around my local cinema, every new feature is advertised in Dolby Atmos even though most of them are not. That totally sucks!!! |
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#849 | |
Blu-ray Prince
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#850 | |
Blu-ray Knight
Feb 2012
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#851 | |
Blu-ray Champion
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#852 | |
Active Member
Sep 2013
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2-3 small 200 seat theaters with Dolby Vision and 7.1 would be great. |
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#853 | ||
Blu-ray Prince
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~~ AMC at one point was trying to implement a better system over at the in-town Uptown theater. I don't know if they hit a roadblock or something, but maybe DTS-X would work or even say Auro's new system: AuroMax (height speakers , plus reinstating the five channel stage speakers + center height). Laser projection would be ideal too. ~~ given how the Angelika Mosaic has been pretty much booking both indie movie AND major Hollywood features - I've never understood why they bothered to install ceiling speakers onto screen 2 and not have a system that implements those speakers - grab a bone Angelika, maybe a DTS-X system would be suitable. Bow Tie Reston's BTX screen is also a system that could add Atmos, DTS-X, but ... no dice. ~~ Regal in my mind are cheap bastards, they build new RPX auditoriums and yet it's a crap shoot if they add an Atmos system - you pay for a deluxe experience but they don't go the extra mile and integrate Atmos ... ugh. Last edited by Dubstar; 09-25-2015 at 05:40 PM. |
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#854 | |
Blu-ray Knight
Feb 2012
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But I go there pretty often, and everything I've seen from Gravity on was IMAX digital. Still a fairly nice presentation with great sound, but certainly would love to see all of the screen used again, which won't be until when/if they add laser (at bare minimum are clearly showing liemax through Spectre given tickets are on sale for all those films leaving no time for laser install). |
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#855 | |
Active Member
Sep 2013
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Also, if Digital IMAX is so bad, why do you bother going? So go to a single projection screening of something else. Last edited by MrsMiniver; 09-25-2015 at 07:37 PM. |
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#856 | |
Blu-ray Champion
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Yes I have an ax to grind with them. |
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#857 | |
Blu-ray Champion
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#858 | |
Blu-ray Prince
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![]() thirty minutes of trailers is grating to say the least. (oh how I love thee Arclight, no ads, four trailers at the most, cheaper tix than AMC and Regal, etc., etc., ![]() I think unfortunately we've seen the last Hollywood backed 15/70 IMAX release with 'Interstellar' |
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#859 | |
Blu-ray Knight
Feb 2012
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IMAX has actually announced their doc A Beutiful Planet (coming April 2016) will have a 15/70 release in addition to digital and laser, though my guess is it will just be for those museums which are film only. And to Mrs Miniver's point, I don't hate IMAX digital at all. It still has that great sound system, and I feel looks better than 4K digital screens and probably comparable to 5/70 (saw Interstellar in those two formats, and found the IMAX version looked just as good, maybe even a bit better in some ways as there were a couple scratches on the print). Just that it is a bit disappointing to see Lincoln Square use 75 foot screen width vs 95 feet and have those black bars on the side (but once the movie begins, I rarely think about them), and it is no longer the no brainer IMAX choice in NYC (I might go to Empire or Kips Bay instead if the show times are better/those are a bit more convenient location wise, plus they are a dollar cheaper if that makes any difference) though it is still my favorite one overall. |
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#860 | |
Special Member
Feb 2014
Los Angeles, CA
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