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Old 05-29-2015, 08:52 AM   #126381
pro-bassoonist pro-bassoonist is offline
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Five Easy Pieces Blu-ray REVIEW



Viewed two upcoming releases earlier tonight. The one above uses the same 4K restoration that the late Laszlo Kovacs supervised when Criterion released the BBS box set. Obviously, this release is for people that only wish to own Five Easy Pieces, but if you are currently one of them (), please consider getting the BBS box set. It is a phenomenal package not only with some great, and important, American films, but also with some first-class supplemental features with the likes of Dennis Hopper, Jack Nicholson, Bob Rafelson, Peter Bogdanovich, Cybill Shephred, Jeff Bridges, Ellen Burstyn, etc.

Just a great, great release



Later today (tonight) we will have reviews for The Fisher King and Wild Tales (Region-B).

Pro-B
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Old 05-29-2015, 09:48 AM   #126382
adamhopelies adamhopelies is offline
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Quote:
Originally Posted by aes3728 View Post
Any insight to how you know Criterion has filmed extras?
Sorry, I was getting mixed up with this instagram picture that hinted at Two Days, One Night.

https://instagram.com/p/1JASQ-yzQY/

They did post this shot of Assayas leaving the Criterion offices recently tho, which is presumably what's confusing me!

https://instagram.com/p/1BOD8SSzYQ/

Which poses the question; if not for Clouds Of Sils Maria, then why was Assayas at the Criterion offices?
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Old 05-29-2015, 10:03 AM   #126383
CriterionBlues CriterionBlues is offline
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Quote:
Originally Posted by adamhopelies View Post
They did post this shot of Assayas leaving the Criterion offices recently tho, which is presumably what's confusing me!

https://instagram.com/p/1BOD8SSzYQ/

Which poses the question; if not for Clouds Of Sils Maria, then why was Assayas at the Criterion offices?
He could be involved with a supplement, maybe an interview or something about an upcoming release. He did a video essay that was on the L'Avventura release, although that was from 2004.

Or maybe Irma Vep is coming? I'd be down with that.
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Old 05-29-2015, 01:26 PM   #126384
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Quote:
Originally Posted by adamhopelies View Post
Which poses the question; if not for Clouds Of Sils Maria, then why was Assayas at the Criterion offices?
Putting free Criterion blus/DVD's in his bag while talking about them, perhaps?
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Old 05-29-2015, 02:30 PM   #126385
JeffTheMovieGuy JeffTheMovieGuy is offline
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Any idea of what Criterions you will be purchasing for the sale in July at B&N?

I'm planning on getting
Eraserhead
Naked Lunch
Videodrome
Scanners
Amarcord
8 1/2

The big ticket item would be
The Lost and Found
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Old 05-29-2015, 03:01 PM   #126386
gr451 gr451 is offline
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Can't "afford" to miss a sale again

12 Angry Men
The 400 Blows
Ace in the Hole
L'Avventura
Badlands
The Battle of Algiers
Black Narcissus
The Bridge
City Lights
Eraserhead
Fanny and Alexander
Hiroshima mon amour
Investigation of a Citizen Above Suspicion
Ivan's Childhood
Jules and Jim
The Killers
The Life and Death of Colonel Blimp
Limelight
Make Way for Tomorrow
Marketa Lazarova
The Merchant of Four Seasons
Monseiur Verdoux
Odd Man Out
On the Waterfront
Paris, Texas
Persona
Ride the Pink Horse
The Rules of the Game
Safety Last
State of Siege
Sword of Doom
Tokyo Story
The Wages of Fear
Watership Down
Wild Strawberries
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Old 05-29-2015, 03:01 PM   #126387
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Quote:
Originally Posted by jlk5844 View Post
Well, that was a great film. I do think Au Revoir Les Enfants is a slightly better film than Elevator to the Gallows, but the latter is more rewatchable to me. It's not even because of the affecting and powerful subject matter, well, it sort of is, but if it had been more affecting and powerful I'd probably like it even more. That's not to take away from the film, it's just a more subtle and simple drama than I was expecting. I do appreciate the avoidance of over-dramatization at the same time though. It's a very well told story with naturally woven in nuances and treats its characters with sensitivity and intelligence. It captures childhood and throws it a tragic curveball. This is accomplished by seizing the rare opportunity to glimpse the Nazi occupation of France from the perspective of a child. That period represented on film is a recipe for tears but Malle doesn't bow to sentimentality. The acting of the kids, particularly the lead, is impressive, you feel drawn to these two in their short friendship. Wonderfully done, I'm not sure if I would buy it, but worth the watch most definitely.

4.5/5

Evidently I need to seek out more Malle. I had heard of Atlantic City before but didn't realize it was by him until recently. Lacombe Lucien was on TCM the same day as EttG but I wasn't aware of it, I just knew of EttG from this thread.
well said and well written, jlk5844.

Pro-B's fav (Murmur of the Heart) is a really good film, too. The last 45 minutes or so of that film just cooks. ...and Lea Massari is one hot mom - shame about what happened to her in L'Avventura

The next one I'll check out is either The Fire Within or Vanya on 42nd Street. Since oildude said that he liked it after not expecting to, maybe it'll have the same effect on me... it does *sound* like it'd be pretty dull. will have to see.
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Old 05-29-2015, 03:21 PM   #126388
shadedpain4 shadedpain4 is offline
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Quote:
Originally Posted by JeffTheMovieGuy View Post
Any idea of what Criterions you will be purchasing for the sale in July at B&N?

I'm planning on getting
Eraserhead
Naked Lunch
Videodrome
Scanners
Amarcord
8 1/2

The big ticket item would be
The Lost and Found
Everything released since the Criterion.com flash sale.
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Old 05-29-2015, 03:41 PM   #126389
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Quote:
Originally Posted by JeffTheMovieGuy View Post
Any idea of what Criterions you will be purchasing for the sale in July at B&N?

I'm planning on getting
Eraserhead
Naked Lunch
Videodrome
Scanners
Amarcord
8 1/2

The big ticket item would be
The Lost and Found
I'm looking at these. Not sure I will go back to older releases that I missed. I probably won't even get all of these, might try to watch the ones that are on Hulu+ and then decide. Although I'm 100% getting Limelight and The Killers.

Palm Beach Story
Odd Man Out
Ride the Pink Horse
Friends of Eddie Coyle
Limelight
The Bridge
Fisher King (maybe)
The Killers
Hiroshima Mon Amour
Here is Your Life (maybe)
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Old 05-29-2015, 03:43 PM   #126390
jlk5844 jlk5844 is offline
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Quote:
Originally Posted by ravenus View Post
I much preferred Valerie and her week of wonders to Black moon as an Alice in Wonderland meeting sexual awakening riff. Despite its weirdness, BM actually got...dull for me.
Funny, I was thinking of Valerie while reading the posts about Black Moon, both films I haven't even seen! I guess because I'm interested in blind buying Valerie in the upcoming sale and it seemed to have a similar bizarreness and experimental feel about it.

Quote:
Originally Posted by bwdowiak View Post
well said and well written, jlk5844.

Pro-B's fav (Murmur of the Heart) is a really good film, too. The last 45 minutes or so of that film just cooks. ...and Lea Massari is one hot mom - shame about what happened to her in L'Avventura

The next one I'll check out is either The Fire Within or Vanya on 42nd Street. Since oildude said that he liked it after not expecting to, maybe it'll have the same effect on me... it does *sound* like it'd be pretty dull. will have to see.
Thanks. I'll be on the lookout on TCM for any more movies by the guy.

Quote:
Originally Posted by JeffTheMovieGuy View Post
Any idea of what Criterions you will be purchasing for the sale in July at B&N?
Oh shit, I have a ton as usual to narrow down. (the ones in red I have not seen)

Don’t Look Now
City Lights
Summer with Monika
Fanny and Alexander
M
Island of Lost Souls
Valerie and Her Week of Wonders
Solaris
In the Mood for Love
Fear and Loathing in Las Vegas
Videodrome
La Haine
Blue is the Warmest Color
The 400 Blows
Repo Man
The Wages of Fear
Judex
Branded to Kill
Tokyo Drifter
Yojimbo/Sanjuro
The Hidden Fortress
Investigation of a Citizen above Suspicion
The Innocents
Hoop Dreams
Macbeth
Shoah

Last edited by jlk5844; 05-29-2015 at 03:49 PM.
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Old 05-29-2015, 04:21 PM   #126391
shadedpain4 shadedpain4 is offline
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Quote:
Originally Posted by adamhopelies View Post
Sorry, I was getting mixed up with this instagram picture that hinted at Two Days, One Night.

https://instagram.com/p/1JASQ-yzQY/

They did post this shot of Assayas leaving the Criterion offices recently tho, which is presumably what's confusing me!

https://instagram.com/p/1BOD8SSzYQ/

Which poses the question; if not for Clouds Of Sils Maria, then why was Assayas at the Criterion offices?
I watched 5 Assayas films over the past 2 weeks (Clouds, Clean, Irma Vep, Boarding Gate, and Something In The Air. I'd already seen Carlos and Summer Hours) and enjoyed all of them on different levels. Clouds was by far the highlight, but I'd welcome Irma or Clean into the collection.

More Maggie Cheung is never a bad thing.

Edit: Actually, best case scenario is Criterion releasing a Hou Hsiao-Hsien film (A City of Sadness?) with HHH: A Portrait of Hou Hsiao-Hsien as a bonus feature.

Last edited by shadedpain4; 05-29-2015 at 04:32 PM.
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Old 05-29-2015, 04:24 PM   #126392
jayembee jayembee is offline
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Quote:
Originally Posted by shadedpain4 View Post
More Maggie Cheung is never a bad thing.
I'm with you there.
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Old 05-29-2015, 04:38 PM   #126393
ShellOilJunior ShellOilJunior is offline
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Glad to see this thread rescued...

Anyone have any thoughts on Flowers of Shanghai? It's playing at the local cinematheque tomorrow.
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Old 05-29-2015, 04:48 PM   #126394
shadedpain4 shadedpain4 is offline
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Originally Posted by ShellOilJunior View Post
Glad to see this thread rescued...

Anyone have any thoughts on Flowers of Shanghai? It's playing at the local cinematheque tomorrow.
I have a sudden urge to drive to Cleveland. I have Flowers on this, but have yet to watch it. Would always prefer the first time to be in a theatre when possible.
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Old 05-29-2015, 04:51 PM   #126395
jayembee jayembee is offline
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Quote:
Originally Posted by ShellOilJunior View Post
Anyone have any thoughts on Flowers of Shanghai? It's playing at the local cinematheque tomorrow.
Any Hou Hsiao-Hsien is a good thing. This one is visually stunning (no surprise). It's also slow-paced, which I don't consider a bad thing, but I've found that it can be a problem if one is tired.
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Old 05-29-2015, 04:53 PM   #126396
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Quote:
Originally Posted by pro-bassoonist View Post
Five Easy Pieces Blu-ray REVIEW



Viewed two upcoming releases earlier tonight. The one above uses the same 4K restoration that the late Laszlo Kovacs supervised when Criterion released the BBS box set. Obviously, this release is for people that only wish to own Five Easy Pieces, but if you are currently one of them (), please consider getting the BBS box set. It is a phenomenal package not only with some great, and important, American films, but also with some first-class supplemental features with the likes of Dennis Hopper, Jack Nicholson, Bob Rafelson, Peter Bogdanovich, Cybill Shephred, Jeff Bridges, Ellen Burstyn, etc.

Just a great, great release



Later today (tonight) we will have reviews for The Fisher King and Wild Tales (Region-B).

Pro-B
Will Wild Tales be a Criterion release??
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Old 05-29-2015, 04:59 PM   #126397
shadedpain4 shadedpain4 is offline
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Quote:
Originally Posted by jayembee View Post
Any Hou Hsiao-Hsien is a good thing. This one is visually stunning (no surprise). It's also slow-paced, which I don't consider a bad thing, but I've found that it can be a problem if one is tired.
I like to watch a Tsai Ming-Liang film first so that the Hou Hsiao-Hsien film feels like it has a nice brisk pace.
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Old 05-29-2015, 05:00 PM   #126398
jayembee jayembee is offline
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Quote:
Originally Posted by shadedpain4 View Post
I have Flowers on this, but have yet to watch it.
I have three of the four on US DVDs. Goodbye South, Goodbye and Flowers of Shanghai are typically (lousy) non-anamorphic Fox Lorber titles -- though I suppose beggars can't be choosers. Millennium Mambo is a higher quality DVD (from Palm Pictures), but not quite as good a film as the other two.
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Old 05-29-2015, 05:10 PM   #126399
Jodi Jodi is offline
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Quote:
Originally Posted by JeffTheMovieGuy View Post
Any idea of what Criterions you will be purchasing for the sale in July at B&N?

I'm planning on getting
Eraserhead
Naked Lunch
Videodrome
Scanners
Amarcord
8 1/2

The big ticket item would be
The Lost and Found
I'm planning on getting in July 2015:

Videodrome BD
The Big Chill BD
Time Bandits BD
Watership Down BD
Antonio Gaudi DVD (Looks very interesting, and would like to watch it at least once while playing the album Gaudi by The Alan Parsons Project (concept album about Gaudi and, in particular, his Sagrada Familia Cathedral which, still to this day, has still never been completed).

Already have: The Curious Case of Benjamin Button, Fantastic Mr. Fox, The Game, Scanners, Traffic, The Thin Red Line
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Old 05-29-2015, 06:03 PM   #126400
oildude oildude is offline
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Quote:
Originally Posted by bwdowiak View Post
.......The next one I'll check out is either The Fire Within or Vanya on 42nd Street. Since oildude said that he liked it after not expecting to, maybe it'll have the same effect on me... it does *sound* like it'd be pretty dull. will have to see.
It helps to be a fan of stage plays and high quality acting and writing. I stayed away from Vanya on 42nd Street for a long time. I do think it will be dull if you are not in the right mood for it. I have to be in the mood to rewatch it, but when I am, it is a joy to behold. Vanya on 42nd Street is as spare as a play gets, a stripped-down-to-the-essentials small ensemble captured on film. In fact, it is not quite even that, since it is a rehearsal of a play. Even if you are not a fan of live theater, this movie just might make you one if you approach it with the right frame of mind.

I wrote a user review for it many months ago, which I will repost here if anyone is interested in reading more about it. This film fascinates me to no end because it is one of the biggest surprises for me in the Criterion Collection and one that finally sealed Louis Malle in my opinion as one of the greats. He certainly has many more films that I like better than Vanya on 42nd Street, films that I will revisit much more often, but I can't think of anyone else who has expanded my comfort zone quite the same way as Malle. In his body of work are films with subjects, plots, and structure that I would not ordinarily have any desire to view, yet I inevitably give them a chance and walk away richer for the experience every time.



Watching Vanya on 42nd Street is like being invited to a private viewing of a stage play rehearsal by a group of actors in a run down NYC theater. The style and subject of Vanya may not be for everyone; it is a "small" film in a very intimate setting. We as the audience have great seats to watch a well-tuned rehearsal of a David Mamet adaptation of Chekhov's play Uncle Vanya. As such, it is a low-key and dialogue driven movie. In fact, there is nothing but dialogue. Anyone who enjoys live theater and who appreciates great acting will be richly rewarded. The dialogue is exceptionally well done and the wonderful actors who bring it to life capture all the human interactions and brilliance of Chekhov's play with a passion seldom seen on the screen. The film may be structured as a stage rehearsal with all the actors in their street clothes, but in my mind's eye I was seeing a 19th Century Russian country estate peopled with real and identifiable characters.

The film opens to the sounds of a jazz score by the Joshua Redman Quartet as we see the actors arriving individually at the New Amsterdam Theater on 42nd Street in NYC. Among them are also a few specially invited guests who will be the audience for the rehearsal; the audience members are not actors but real people being themselves, including noted Indian cookbook author Madhur Jaffrey. Through conversations among the guests and the crew, we are introduced to the theater where the rehearsal is being filmed. The New Amsterdam Theater was originally built in 1903 and once was home to the famous Ziegfeld Follies, before being turned into a movie palace prior to WWII. At the time of the filming of Vanya on 42nd Street, the New Amsterdam Theater had been abandoned and in a state of severe disrepair for about ten years. We see all this faded glory as the cast and crew set up the props and furniture on a recently installed temporary stage. When everything is ready, the guest settle into their seats, the actors take their positions on or off the stage, and the play begins.

I should point out that my repeatedly referring to the movie as a filmed rehearsal does not do it justice. There are no stops or do-overs or a director saying "I think you should stand here and say it like this". The flow is smooth and uninterrupted except at the end of an act, when the play's director tells the actors well done and let's take a short break before the next act. The rehearsal is not in preparation for an actual general audience opening (to my knowledge, this was never the intent of the ensemble and never happened). Rather, it is a continuation of a series of workshops held by famed experimental stage director Andre Gregory, who appears in the film as himself, where a group of actors participating in the workshops came together to perfect their craft and engage in a four-year project of stage rehearsals of Mamet plays. The film Vanya on 42nd Street is the end result of their efforts, presented not as a full blown stage adaptation but instead as an intimate portrait for a small audience. Among the actors participating in the workshop are Wallace Shawn (The Princess Bride, My Dinner with Andre) who portrays Uncle Vanya, and Julianne Moore (Boogie Nights, Safe).

I really enjoy Vanya on 42nd Street and am so glad I gave it a chance. Ordinarily I might have passed on it based on what I read online about how the film is structured; it just didn't generate any excitement. However, it being a Louis Malle film, and his last, made me take the plunge. I was pleasantly entertained by an extraordinary production, where the dialogue and acting are so good we are transported beyond the confinement of the stage with its simple props to a wider experience of a wonderfully human tale set in an upper middle class country estate in 19th Century Tsarist Russia.

Last edited by oildude; 05-29-2015 at 10:19 PM.
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