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#233381 |
Expert Member
May 2025
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Call it instinct, but I think that black-and-white films are far more likely to come from Criterion than from any Warner label. Those classic 3-strip Technicolor musicals, like An American In Paris, Meet Me In St. Louis, The Band Wagon, are all very likely to come from WAC in UHD eventually, in my opinion. Meanwhile, even as iconic as The Treasure Of The Sierra Madre and Strangers On A Train are, I get the feeling that Criterion is far more likely to release them than WAC. Hell, I think The Treasure Of The Sierra Madre might be more likely to even come from WHV than WAC. Just a gut feeling. WAC's UHD releases seem to be about either large-format films or color ones. Feltenstein, if I remember correctly, talked about Technicolor in particular as a focus of WAC's 4K releases.
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Thanks given by: | DimitriL (Yesterday), Watershipdownisgood (Yesterday) |
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#233382 |
Blu-ray Count
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I am giving away 4 of these:
![]() The details can be found here: https://forum.blu-ray.com/showthread...5#post23500935 |
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Thanks given by: | Face of Wolf (Yesterday) |
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#233385 | |
Special Member
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#233386 | ||
Special Member
Jan 2025
Cambridge, Massachusetts
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You couldn't want much more than that. Those B+W separation elements should be in much better shape than a 1957 Eastmancolor negative. That same 4K scan is likely the source of the 4K UHD release from WAC and Hammer Films as well. |
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