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#156781 |
Blu-ray Ninja
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I think a lot of people are predicting it to happen sometime next year.
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Thanks given by: | BobbyMcGee (11-19-2016) |
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#156783 |
Active Member
Mar 2013
Ohio
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#156786 |
Blu-ray Ninja
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#156787 |
Active Member
Mar 2013
Ohio
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#156789 |
Active Member
Mar 2013
Ohio
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#156791 |
Senior Member
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FILM-(RE)NOIR
![]() Jean Renoir’s La Chienne is an exhilaratingly nasty tale of a henpecked hosiery cashier’s adulterous relationship with a manipulative prostitute, and the moral damnation that ensues. Noir aficionados will instantly make the Scarlet Street connection but the unmistakable differences in execution and style render both of these masterworks sufficiently distinguishable. Firstly, La Chienne is more sexually charged of the two - evidenced by the explicit exhibition of its various onscreen dalliances. Scarlet Street on the other hand was shackled by the Hays Code where the furthest Edward G. Robinson’s character got was painting his mistress’ toe nails. Restrictions of the production code notwithstanding Scarlet Street is still the bleaker of the two and remains one of the hallmarks of classic film-noir, while La Chienne benefits from its consistent tragicomedy tone. Michel Simon is outstanding as the frustrated, love-struck painter who’s almost destined to lose: he’s domineered by his miserable wife when he’s not being cuckolded and scammed by his deceitful mistress (and her scheming pimp boyfriend) and remains oblivious of the fact that he’s merely a part-time lover but a full-time benefactor. EGR’s rendition however was on a completely different level and had more psychological heft to it. La Chienne’s visual aesthetic is loaded with quadrangular, window-framed, canvas-like compositions that not only resonate with the film’s theatrical opening but also with the art produced by our protagonist. I also feel that it’s too beautifully realised (or at least the restoration made it so) to be categorised as “noir” in the traditional sense and is devoid of conventional noir flourishes, rugged edges or pulpy vibes. Having said that it was undoubtedly instrumental in the proliferation of films that would come to be known as noir. As an interesting aside, Scarlet Street was not the only Lang venture that shared a literary source with a Renoir film; Human Desire and the classic La Bête Humaine also originated from the same Émile Zola novel. |
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#156792 |
Blu-ray Guru
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I started watching Dekalog and noticed that the first disc at least says:
Directors: James Cameron On my sony player, it's odd I don't know if it could be a bug of my player or something, but apparently there is a 1 hour documentary called like that, could it be indication of James Cameron joining the collection soon? |
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#156793 |
Moderator
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Over the years, there have been several posts in the Criterion Thread mentioning Rapture (1965), a film that would have been right at home in the Collection had it not been released by Twilight Time in late 2011.
Directed by the late John Guillermin in glorious black and white CinemaScope, Rapture is a magnificent coming of age film about a lonely and troubled teenage girl portrayed by the incredible Patricia Gozzi (Sundays and Cybele, Leon Morin Priest). Other stars include Dean Stockwell (Paris Texas, The Last Movie, Long Day's Journey into Night), Melvyn Douglas (The Tenant, Hud, The Americanization of Emily, Being There), and Bergman favorite Gunnel Lindblom (Wild Strawberries, The Seventh Seal, The Virgin Spring, Winter Light). It is on sale right now for only $7.95 at Screen Archives Entertainment and for those who have not experienced this film or have never heard of it, I cannot recommend it highly enough. It is a limited release of 3000 and this is a blow-out price designed to sell out. Just a heads up. http://www1.screenarchives.com/title...IAL-PROMOTION/ I have no doubt most Criterion fans will enjoy it. If you like Bergman, Polanski, or Hitchcock, you will like Rapture. Here is my recent review of the film for those interested. https://forum.blu-ray.com/showpost.p...ostcount=24305 Last edited by oildude; 11-20-2016 at 02:53 AM. |
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Thanks given by: |
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#156794 | |
Special Member
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![]() Quote:
But Aaron, you really owe it to yourself to see Leave Her to Heaven. It's a stunning film, and she's mesmerizing in it, playing a beautiful woman whose porcelain face masks a heart devoid of warmth. She was nominated for an Oscar, and I'm one of those who believe she should have won; instead, they gave it to, well ... someone else. As critic and historian David Thomson summarized in "Have You Seen ...?": "She [Tierney] is amazing as Ellen, in ways she never matched before or since ... Tierney was nominated for an Oscar as Best Actress, and she lost to Joan Crawford in Mildred Pierce. You can see why: Crawford had more than paid her dues; she had made a serious comeback; and Mildred Pierce is a valuable and important picture. But if you want a wild thrill one night, I know which way I'd go." |
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#156795 | |
Expert Member
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What's up with The Killing at the Criterion website? It's not available for sale from Criterion and there's a link to Amazon which says
Quote:
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#156800 |
Active Member
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Yes, I love that type of film. I was kind of leaning on getting that also, based on reviews I read, etc. Thanks a lot. I bought 5 last B&N sale, was trying to keep it at 4 if possible this time since I have holiday gifts to buy. Think I'm going to pull the trigger and get the 4 I had previously listed. I could stay on the site for hours & drive myself crazy trying to decide.
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