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#18781 |
Active Member
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My thoughts exactly, but I didn't get anything. When contacting them, that's when I was taken aback learning my account was mysteriously canceled.
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#18782 | |
Active Member
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#18784 |
Blu-ray Samurai
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Here is my review of Charade...
The pairing of Cary Grant and Audrey Hepburn is one of the greatest of the old Hollywood era and certainly one of my favorites. Working from a script turned down by seven studios that was then reworked and turned into a Redbook short story that found its way into a full novel that was finally turned into a script by Peter Stone, Cary Grant and Audrey Hepburn find romance, suspense, murder, and money and not always in that order in Director Stanley Singin' in the Rain Donen's Charade. The story begins as Regina Lampert (Audrey Hepburn) who is soon to divorce her husband but not as soon as he turns up dead. The death of one Charles Lampert has the unfortunate or in our case fortunate cause of bringing out every enemy of Mr. Lampert. Enemies that Mr. Lampert made when he backstabbed and stole $250,000 from 4 old army buddies. Regina or Reggie as she is often called by the ever graces of Cary Grant's character Peter Joshua has the honors of consouling or cheering up the unexpected widow. With Cary Grant's pure believable performance we are left to believe his interest in Regina's well-being is nothing but heartfelt. But this is only where the aptly titled Charade begins. Major Spoliers Prevail the next paragraph... [Show spoiler] I have loved Charade since my first viewing in the early 80s and remains one of my favorite Audrey Hepburn movies to this day, along with another Stanley Donen directed Audrey piece, Two For the Road. It is a shame that Cary and Audrey never teamed up again as I'm sure I and other audience members would have loved to view more sparks and chemistry between these two fine actors. Too bad that the extras on this Criterion blu are not as robust as other releases, but the wonderful looking print is worth its weight in gold. Ms. Hepburn's outfits by Givenchy have never looked better and much of the same can be said of Cary Grant's drip dry suits. But what we do get is a funny little trailer that involves a blender and an even more wonderful commentary by Charade screenwriter Peter Stone and Director Stanley Donen. There is much to be learned from these long time friends who first met while shooting Charade and went on to work together again on Arabesque (1966) with Gregory Peck and Sophia Loren. Their banter is playful and charming and never dull while viewing Charade with these two wonderful artists. Through the commentary we learn a many interesting facts of the film and other events that surrounded them at the time of and before creating Charade. The things we learn while listening to Peter and Stanley; the importance of Cary Grant's stunt double, the source of Punch and Judy, which is the right side of Cary Grant's face, why Cary Grant refused to chase Audrey Hepburn, the importance of D.O.P. Charles Lang and Audrey Hepburn, why Jean-Louis' voice was played by a girl, why Jean-Louis has the hand of a man, why Cary Grant does not do exposition and the importance of Cary Grant's chalkboard, how Peter Stone and Stanley Donen didn't meet and become friends, the Den Gula Fyraskillingen, the Hawaiin Blue, and the Gazette, Maldave, why Walter Matthau runs like a duck and is only funny while eating, and why you can't even be honest about being dishonest. To say the least I had a real blast watching Charade again and again over the past few days. I take extensive notes while watching cinema in hopes that I too fully understand every moment set before us on screen and that I may discuss it with you here in this forum. Talk amongst yourselves. Here's a link to my abbreviated review... feel free to destroy me as you wish... ![]() Last edited by Weirded Wonder; 11-06-2010 at 01:41 PM. |
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#18785 |
Senior Member
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thanks to everyone for thier imput on the list I put on the prior page! Based on comments, I think I'll probably end up with Everlasting Moments, Summer Hours, and Close-up at the least. Perhaps more, depending on my mood.
B&N won't know what hit it.... |
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#18786 | |
Blu-ray Ninja
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#18787 | |
Blu-ray Ninja
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#18789 |
Blu-ray Guru
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ccfixx, this is what i'm looking for whenever i ask about "what is that movie about?" because i honestly didn't know anything about charade until someone like Beard Esquire. now i will be placing an order for it. it *does* have an effect. i don't always trust the Blu-Ray.com reviews
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#18791 | |
Blu-ray Samurai
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![]() You must have been reading my mind...I bought it on Monday. ![]() |
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#18792 | |
Power Member
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#18794 |
Blu-ray Samurai
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#18797 |
Blu-ray Guru
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That's too bad that The Third Man and Pierrot Le Fou are out of stock. I resorted to getting the StudioCanal version of The Third Man awhile back, which isn't too bad, for those not wanting to drop $80, like me. I will get Pierrot Le Fou at some point, because I know Amazon still sells it for the normal price of a Criterion.
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#18799 | |
Expert Member
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#18800 | |
Blu-ray Samurai
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Your last sentence makes it sound as if your only resource for movie reviews is blu-ray.com. If that is the case, then that is part of the problem. I suggest seeking out multiple sites for differing opinions. At your age, I'm sure that you're now able to read the quick synopsis of a film and make an informed decision of whether, or not, you might like it. I applaud the efforts of users like Beard Esquire who can, and will, write a lengthy personal analysis of a film. When it comes down to it, though, I don't see how reading a forum user's opinion of a film versus reading all of the other countless reviews available on the internet and written since a particular film's release date, which is sometimes 50+ years ago, is any different. Wherein lies the difference for you, Jedi? CC |
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