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#197082 | |
Special Member
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#197083 |
Blu-ray Champion
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Back when Criterion released the first WCP set back at the end of 2013, I made an attempt to keep track of what films were being restored for the World Cinema Project. I didn't get very far before I dropped it -- probably because I had too many other things going on at the time. I have note of seven films beyond what's in the three Criterion sets.
Two Girls on the Street (André De Toth, Hungary, 1939) Kalpana (Uday Shankar, India, 1948) Borom Sarrat (Ousmane Sembčne, Senegal, 1963) Forest of the Hanged (Liviu Ciulei, Romania, 1965) The Night of Counting the Years (Shadi Abdel Salam, Egypt, 1969) The Eloquent Peasant (Shadi Abdel Salam,, Egypt, 1969) The Treasure (Lester James Peries, Sri Lanka, 1973) There was an eighth one, but it was released as a standalone by Criterion a couple of years ago: Manila in the Claws of Light (Lino Brocka, Philippines, 1975) There have been at least a couple of others that were released as standalones by Criterion. Two I can think of are Black Girl and A Brighter, Summer Day. Check out http://www.film-foundation.org/world-cinema Last edited by jayembee; 06-16-2020 at 05:43 AM. |
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#197084 |
Power Member
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Anyone know how many homes in the US/Canada actually can play UHD?
Anyone know how how many physical copies Criterion has sold on each of David Lynch's films? Isn't there a minimum number of copies you can contract with manufacturers to produce UHD discs? These questions could probably answer the question why The Elephant Man is not being released on UHD. I guess they could do a limited UHD run but that would be unprecedented. And knowing how Criterion discs get crazy money when their copies go OOP, could contribute to their hesitance? The transition to loop in UHD will be slower than them transitioning from DVD to Blu-Ray. Anyone remember how long that took? |
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Thanks given by: | hoytereden (06-16-2020) |
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#197085 | |
Power Member
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#197086 |
Blu-ray Guru
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It's the other way around for me personally - A few criterions and asian titles had disc rot while my trusty 20+ year old Dvds still play like on day one.
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#197087 |
Active Member
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I don't think Criterion will ever adopt UHD for their physical media releases. The format's growth rate is declining rapidly. To give you an idea:
2016: UHD Blu-ray introduced 2017: 187% Year-over-Year Growth 2018: 70% YoY Growth 2019: 15% YoY Growth The format will peak in about 2 years which means it will remain very niche. This also means it won't benefit from the economies of scale Blu-ray and DVD have so they will always be pricey to produce. That's not to say they will never produce one offs here and there, who knows, but I wouldn't hold my breath for UHD to be a regular thing at Criterion. I think it's more likely that Criterion Channel will see 4K HDR versions of movies released on Blu-ray/DVD. Ideally, Criterion wouldn't bother with movies that already have great UHD releases and would instead focus their attention on movies that haven't made it to HD. That said, business interests do have to prevail sometimes and I bet movies like elephant man are some of the better sellers in the collection. |
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#197088 |
Blu-ray Guru
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Perhaps. But I bet there'd still be people who'd complain. They'd want the DVD only for even less. And if Criterion did such a thing there'd be a big drop in income.
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#197090 | |
Blu-ray Guru
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#197091 |
Blu-ray Guru
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Trying to explore Ingmar Bergman at the moment. The first film that I decided on was Persona since it is the cover photo for the Cinema collection. I knew nothing of his work, despite having heard of his name all of my life. That probably helped because I was expecting a typical, well-constructed film with no real surprises. I was stunned when the film started rolling (literally). I wasn't expecting such an abstract work. During the first minute or two, it immediately reminded me of David Lynch. I own Mulholland Drive and now having seen Persona in its entirety, I can see even more similarities between the two films. The whole duality thing between two women in each film, made more than obvious with the editing of Ullman's face over Andersson's in Persona. I'm still trying to figure out if they were the same person. Did Alma believe she was Elisabet? Really deep, dark and controversial. Much more than I expected. Probably the most provocative and unexpected hour and a half I have ever spent. Even more unexpected, I decided to watch it during Bergman Week in Sweden which I did not know!
EDIT: I will probably be editing this a lot. I am a big pushover for cinematography. The lighting in this film really caught my attention. The interior shots were really amazing. Gave me a special feeling. Of course, the shots on Faro were pretty cool, too. ![]() I guess Ullman is Bergman's muse much like Anna Karina with Godard. Last edited by BluLobsta; 06-16-2020 at 03:17 PM. |
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Thanks given by: | SteelyTom (06-16-2020) |
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#197092 | |
Special Member
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Thanks given by: | jayembee (06-16-2020) |
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#197093 |
Power Member
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Those Blu-ray’s were isolated and criterion offered replacements. Otherwise, disc rot for Blu-ray isn’t something To be worried about as far as I know
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#197095 | ||
Blu-ray Ninja
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#197096 | |
Blu-ray Guru
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#197098 | |
Blu-ray Samurai
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Thanks given by: | Pi905 (06-16-2020) |
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#197099 |
Blu-ray Samurai
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I watched Dance, Girl, Dance last night. Such a lovely film with excellent PQ on my big screen. Maureen O' Hara was great and Lucille Ball stole the picture IMO.
[Show spoiler] I highly recommend this film of you love classic Hollywood Film making.
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#197100 | |
Banned
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