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#4181 |
Banned
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Thanks given by: | Ernest Rister (01-25-2018) |
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#4182 |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | Staying Salty (01-25-2018) |
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#4183 |
Retired Hollywood Insider
Apr 2007
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When the camera itself launches…..rental baby –
https://www.keslowcamera.com/ |
Thanks given by: | gkolb (01-25-2018) |
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#4184 |
Senior Member
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Interview with Joop Talstra, talking about Technicolor/Philips HDR, and how it is definitely still coming to UHD Blu-ray. I presume it will launch next year, since it's an HDMI 2.1 format. HDR on UHD has really gone off the rails. 4 separate formats, what a pain.
https://www.dropbox.com/s/rco9scr7ul..._Edit.mp3?dl=0 |
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#4185 | |
Banned
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#4186 |
Special Member
![]() Mar 2010
Portishead ♫
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...And Baby Driver I bet it'll get an Oscar @ the Academy. ...And Get Out too.
...Ebbing, Missouri. |
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#4187 | |
Retired Hollywood Insider
Apr 2007
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I can just see some reporters now scrambling as to how they discovered the news. |
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Thanks given by: | gkolb (01-26-2018) |
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#4188 | |
Blu-ray Emperor
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Insaner perhaps, but don't forget that the first iteration of Philips' HDR was actually in the UHD Blu spec as an optional format from the start.
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#4189 | |
Retired Hollywood Insider
Apr 2007
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![]() 2.2.3.3.5 Supported HDR technologies This format defines three types of HDR video formats: BDMV HDR, Dolby Vision and Philips HDR. The BDMV HDR is the HDR video format which is mandatory for player in this specification. The Dolby Vision and Philips HDR are the optional HDR video technologies for players and discs. The Dolby Vision and Philips HDR technologies use metadata that has also been submitted to the SMPTE for consideration. Something not in the publicly available ^ BD-ROM white paper, nevertheless for the deep divers, I think I posted a copy of the SEI payload Syntax around here sometime after the video coding meeting in San Diego, 2 years past. Anyway, Dan likes document history with math https://media.giphy.com/media/3o6Yg4...bf7W/giphy.gif of different apps for his Universal thread , ergo – http://www.etsi.org/deliver/etsi_ts/...02v010101p.pdf |
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Thanks given by: | DanBa (01-26-2018) |
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#4190 |
Senior Member
Jul 2016
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Is the XF90/X900F expected to be at a similar price as the XE90/X900E?
I can get the 55" XE90 for €1,279 right now (and possibly less in a couple months time). Wonder if it's worth waiting for Dolby Vision, and possibly improved brightness/contrast/colour, on the XF90 though? Last edited by Shalashaska; 01-26-2018 at 09:38 PM. |
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#4191 | |
Active Member
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Thanks given by: | mrtickleuk (01-27-2018), Robert Zohn (01-28-2018) |
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#4192 |
Retired Hollywood Insider
Apr 2007
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#4193 | ||
Special Member
![]() Mar 2010
Portishead ♫
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___ Extra: |
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#4194 |
Retired Hollywood Insider
Apr 2007
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Accounting update:
Even with some of us being gone to CES in Vegas for several days, this outperforming thread continues to thrive. And, to be fair, since we talk so much (deservably, IMO) about Dolby Vision here, this month we included a forum exclusive deep dive into HDR10+ mastering and such: https://forum.blu-ray.com/showthread...e#post14591914 granted, perhaps a little too much into the zooxanthellae for some? - https://forum.blu-ray.com/showthread...20post14593623 Sorry, gkolb, but in order to be comprehensive, I thought it best to walk folks thru the process step by step. So anyway, another month, January…… and another 100,000 views accumulated. Now at 800,000+… https://forum.blu-ray.com/forumdisplay.php?f=206 Onwards to 900,000, although…. I think it might be difficult to maintain this exceptional pace in February due to the Winter Olympics, Super Bowl, and watching plenty of big clashes at the top of the table in the Premier League (having PeterTHX just drooling ![]() and of course there’s those of us attending the upcoming HPA who probably will be too preoccupied to read or post regularly, but you never know - Waboman ![]() http://abcnews.go.com/Lifestyle/thir...ry?id=52604365 Again, congrats to the viewers and all the contributors (new! ![]() ![]() |
Thanks given by: | gkolb (01-28-2018) |
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#4195 | |
Retired Hollywood Insider
Apr 2007
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Like Ernest R.
On a personal note, I’ve been a longtime fan of what is emblazoned on my T-shirt from back in the day when I raced my very first 100 mile National Enduro (note to Kris D. – on a DT1) ![]() Luckily, to spare me any post event embarrassment from my peers, no photographer was around when later in the race I did one of these - https://www.redbull.tv/video/AP-1RVR...W11/blood-road with this tune going thru my mind as I was flying thru the air….bike-less, wondering how many toms one really needs - |
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#4196 | |
Special Member
![]() Mar 2010
Portishead ♫
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#4197 | |
Retired Hollywood Insider
Apr 2007
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Black Level Visibility as a Function of Ambient Illumination One of the key new attributes of HDR imaging and displays is the ability to present many stops of shadow detail, and with the best systems, an absolutely pure black. The display performs at its best in a dark room since no illumination impinges the surface of the display, which would otherwise elevate the black level as a function of the display’s reflectivity. In addition, the viewer perform at their best, in terms of seeing the most shadow detail, when the region surrounding the display is also dark (assuming the field of view occupied by the display is greater than ~35 deg). While there certainly are important applications where a display is viewed in a dark surround, there are also many cases where brighter ambient light levels occur. Knowledgeable viewers know not to have the room illumination aim at the display, but even for those viewers the surround luminance will be increased. In order to understand the impact of the ambient illumination on contrast, shadow detail visibility, and further to guide ambient compensation algorithms, we performed a psychophysical study to assess the visual system’s ability to see detail as a function of the surround luminance. For the stimuli, we used a Gabor signal (a sinewave modulated by a Gaussian window) in order to probe the visual system’s best capability. For the display, we used a Pulsar display having a black level of 0.005 cd/m^2, but in order to study lower black levels such as occurring in the cinema, we placed a large 1.0 neutral density filter over the display to enable black levels as low 0.0005 cd/m^2. The surround luminances studies ranged from fully dark to 100 cd/m^ 2, and for each of these, thresholds were measured as a function of display mean luminance levels from .001 to 400 cd/m^2. The results are consistent with an existing surround effect visual model, which has basis in the cone photoreceptors. Of course, the results are also useful on their own sans model for pluge design, perceptual display performance assessment and tone-mapping applications. Scott Daly, Dolby Laboratories As well as a plethora of Innovation Zone exhibitors, several of which will be showing some aspect(s) of HDR - http://www.hollywoodprofessionalasso...page_id=157130 |
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#4198 |
Retired Hollywood Insider
Apr 2007
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#4199 | |
Blu-ray Archduke
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#4200 |
Retired Hollywood Insider
Apr 2007
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