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#1 |
Senior Member
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#2 | |
Blu-ray King
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#4 |
Blu-ray Knight
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Thats laughable. Can any receiver handle the following.
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So whats the point of 32 audio channels? How about 1536kHz audio sample frequency? Then you have 4K@50/60 which requires double the stream bandwidth, or twice the storage or CPU power? If one would take a step back and look at this from a commercial theater side, yes this simplifies cabling just like HDMI got rid of all those cables in a home theater. But the big question is does HDMI 2.0 spec being released buy the consumer anything at this time or a year from now? Last edited by JohnAV; 09-04-2013 at 05:50 PM. |
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#5 |
Super Moderator
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Full press release - http://www.hdmi.org/press/press_release.aspx?prid=133
lol, isn't that why he said "Now to wait for the new receivers to come out"? Because none currently do? |
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#6 | |
Blu-ray Knight
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#7 |
Banned
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#8 | ||
Blu-ray Knight
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#9 | |
Blu-ray Knight
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Sony starts delivering 4K downloads with Video Unlimited 4K service
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#10 | |
Blu-ray Ninja
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I find this interesting:
Sony to Support HDMI 2.0 Industry Standard Quote:
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#11 | |
Blu-ray Knight
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Looking at the Sony 4K media player/storage footnotes.
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#13 | |
Active Member
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#14 |
Senior Member
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#15 | |
Blu-ray Ninja
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This reminds me of when there was 'Ready for HD' and 'Full HD' displays. But at least this day and age, firmware updating has become the norm for consumer A/V gear. |
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#16 |
Retired Hollywood Insider
Apr 2007
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Good to see all the discussion of HDMI 2.0 indicating Blu-ray movie watchers are also interested in broadcast
![]() ![]() But, on the movie side of things, given that the HDMI 2.0 overview (18 Gb/s) has now been ‘officially’ announced, I find it curious that the video journalists (cnet, etc.) haven’t run the numbers to see if this data rate is sufficient to support 4:2:2 chroma @10-bit per channel. I mean are cinephiles satisfied with 4:2:0 chroma sampling @ 8 bits so a potential (or lack thereof) to upgrade the PQ in this area in the future is of no concern? |
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#17 | |
Blu-ray Samurai
Jun 2007
Singapore
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The upgraded video bandwidth means that 2K/1080p HFR-48FPS 3D(eg. The Hobbit) is now possible at home. 1536 kHz is absolutely crazy at this point. I don't think there's any audio content recorded at that sampling rate. Yes, all these specs sounds like overkill. But that doesn't mean we're not allowed to expand. There may not be any content that requires such bandwidth now. But the sky's the limit. This means that creative artists has a larger playground to express themselves without being limited by old technology. The ball's in Blu-ray's court now, with their revision. I really hope to see 4K video, 3D HFR and Discrete 9.1 (or more) surround a reality from here. |
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#18 |
Retired Hollywood Insider
Apr 2007
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#19 |
Blu-ray Ninja
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It is a concern, but IMHO, Hollywood will resist 10 bit, 4:2:2 and I would wager they will never release anything for consumer use in 10 or 12 bit, 4:4:4. Another problem is H.265, in the first round we only get 8 bit, 4:2:0. Other bit lengths may come with future extensions to H.265. We shall see.
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