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#6281 | |
Member
Apr 2016
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The noise is supposed to be there, it's just how film is. Granted, they did still do some minor forms of noise reduction, but it's nowhere near as bad as the old set. Compare the third film here, and you'll be able to see just how very much improved it is over the old version. In particular, look at the picture of the courthouse, you can pretty much count every brick now, whereas they were very blurred before. That picture is also one where you can see the very strong edge enhancement done, these can be seen as bright lines around the edges of things. https://caps-a-holic.com/c.php?d1=14684&d2=14683&c=5642 Also, what do you mean by dubbing errors? Last edited by ZANTHERA; 09-11-2025 at 01:33 PM. |
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#6282 | |
Banned
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#6283 |
Blu-ray Ninja
Jul 2009
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Psh, comparing the Blu-Ray and UHD is like figuring out whether you'd rather get kicked in the teeth or the balls. The laserdisc on my OLED is the best, purist way to watch the movie with the proper colors.
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#6284 |
Blu-ray Samurai
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#6285 |
Blu-ray Emperor
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Thanks given by: | DR Herbert West (01-13-2021), jerclay (01-13-2021), JR Ewing (01-13-2021), Sky_Captain (01-14-2021), SpazeBlue (01-13-2021), stratford (01-13-2021) |
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#6286 | |
Senior Member
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#6288 |
Blu-ray Grand Duke
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The UHDs look amazing.
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#6289 |
Blu-ray Ninja
Jul 2009
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#6290 | |
Banned
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#6291 |
Active Member
Oct 2020
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I just bought this on sale.
I’ve owned my OLED screen and 4K player for just 8 months now, but for me a pattern has emerged: the 4K transfers for contemporary films are mostly mind blowing, whereas the transfers for older films are, generally speaking, pretty underwhelming. I like the crisp, clear image that I see with films such as Tenet or Blade Runner 2049. Judging by some of the comments in this thread I get the feeling that this will be another muddy looking film. |
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#6292 | |
Banned
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#6293 | |
Banned
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Many newer films are stuck in 2k DI limbo whereas older films can be rescanned in true 4k. |
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#6294 | |
Blu-ray Baron
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Thanks given by: | dlbsyst (01-14-2021), FilmFreakosaurus (01-14-2021), HD Goofnut (01-16-2021), jerclay (01-14-2021), ps3bd_owner (04-13-2021) |
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#6295 | |
Active Member
Oct 2020
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To a lesser extent: both 2001 and Lawrence weren’t nearly as exciting as I had pictured in my mind. I think the problem, for me, might be this ‘film grain’ thing people talk about. I really dislike it. The thing that impresses me most about the 4K technology is sharpness and clarity. Tenet, Blade Runner 2049, Gemini Man, 1917 all blew my mind. I’m just not blown away by how ‘older’ films look. I’ll let you know what I think about the Back to the Future films when they arrive. Keep in mind that I love all the movies I’m talking about here - I’m simply referring to the ‘wow factor’. (Edit: I’m slowly working my way through the Tom Cruise Mission Impossible films, having purchased the box-set. Same thing. Fun movies to watch, but tech-wise kind of disappointing.) |
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#6296 | |
Banned
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Scrub away the grain from movies shot on film negatives and much of the detail goes with it. Many 35mm films on Sony 4k Blu-ray disc look amazing. "A Few Good Men" is a particularly good example. |
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Thanks given by: | SpazeBlue (01-14-2021), WBMakeVMarsMovieNOW (01-14-2021) |
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#6297 | |
Blu-ray Emperor
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Thanks given by: | SpazeBlue (01-14-2021) |
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#6298 |
Power Member
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#6299 |
Blu-ray Ninja
Jul 2009
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This problem with the "look of films" pretty much goes back to the DVD era, where the goal was to make films looks as clean and slick as possible. For DVD it was probably a bit more necessary, because the PQ couldn't really handle the fine detail of a filmed image properly and you had to clean it up to look decent in standard-def on all our old tube tv's. At that time "the Lowry process" was all the rage and the standard for how to restore a movie.
The problem at first shifting to HD was people didn't really know what to expect from it or how to make good use of it. I certainly didn't. If you go back and look at old reviews of the first HD titles, like The Last Samurai on HD-DVD or like, Hitch on Blu-Ray, they basically focus on the clarity and sharpness, and how much of a 3-dimensional "pop" the picture has (also referred to as the "window effect"). That's the kind of mentality people from studios like Universal looked at, deciding that they needed to slather their films in DNR and EE to get their movies looking like that crystal-clear "window". |
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Thanks given by: | Geoff D (01-14-2021) |
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#6300 | |
Active Member
Oct 2020
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Thanks given by: | johnnyringo7 (01-14-2021), Tober27 (01-14-2021) |
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