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#12942 | |
Retired Hollywood Insider
Apr 2007
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Lucky, you guys are around here ![]() |
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#12943 | |
Senior Member
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#12944 |
Blu-ray Emperor
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I should think that Dobly is a given if this is a Netflix original, nowadays they actually mandate that it must be in HDR and they won't accept anything other than Dobly.
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#12945 | |
Retired Hollywood Insider
Apr 2007
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Some cinematographer musings by Sam on Lost in Space and other BSCs as to their work –
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Thanks given by: | mrtickleuk (04-13-2020) |
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#12946 |
Retired Hollywood Insider
Apr 2007
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https://www.iol.co.za/entertainment/...equel-46499288
^ Staying Salty, get in the game and start one of those internet fan petition things |
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#12947 | |
Retired Hollywood Insider
Apr 2007
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More, recorded live from another site on April 2 -
answer is at ~ 10:23 timestamp. The interview has some nice behind the scenes tidbits regarding 1917 (https://www.blu-ray.com/movies/1917-4K-Blu-ray/259242/ ) after about the 1 hr. mark. |
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Thanks given by: | Bluyoda (04-15-2020) |
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#12948 |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | mrtickleuk (04-13-2020) |
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#12949 |
Senior Member
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Of course! Thanks, yes I forgot about that. A Netflix production gives me the confidence it will be Dolby Vision.
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#12950 |
Retired Hollywood Insider
Apr 2007
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Members of the Netflix Creative Technologies and Infrastructure team (Carol P.) are involved in many things, e.g. https://github.com/AcademySoftwareFo...on/OpenColorIO
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#12951 | |
Retired Hollywood Insider
Apr 2007
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19:30 timestamp here - https://podcasts.apple.com/us/podcas...=1000463694240 |
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#12952 |
Retired Hollywood Insider
Apr 2007
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Heads-up,
Regarding HDR and Dolby Vision from the vfx folks, don’t dilly dally to join - https://zoom.us/webinar/register/WN_...1WJaV6g2MsX9hk |
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#12953 |
Blu-ray Ninja
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I think HDR/Dolby Vision are great when the product was either designed for it, or the makers carefully re-graded every single shot.
This is revisionist film-making at its best. Same goes for Dolby Atmos/DTS-X. I hardly hear anyone complain about the original look/sound of the film in question anymore. No way, did those classic movies ever have that kind of dynamic range in the cinemas. Projectors could never manage to pull that off. Am I wrong? After experiencing it for about 2 months and 20+ movies, I personally would be perfectly happy with Blu-ray, or 4k without HDR/DV, as it just looks unnatural to me. Nothing in real life is this bright, or has this kind of contrast, at least not the way it's depicted on the screen, and my OLED only has about 700nits. Who the hell would want it any brighter? Tell me if I am wrong, and most importantly, why? Not saying, I hate it, but I don't think it makes movies look the way the were intended to, at least not older ones. New productions with that in mind? Sure, go right ahead. |
Thanks given by: | Jegćrn (04-15-2020) |
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#12956 |
Retired Hollywood Insider
Apr 2007
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#12957 | |
Retired Hollywood Insider
Apr 2007
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That said, who knows? (other than perhaps some egotistical archivist or asset manager who thinks he can channel dead Directors), who knows for sure what a Director would have intended if he/she had had access to modern technological tools (from camera to screen) to provide an iteration which most closely emulated his/her eyesight and creative thoughts at the time. I think studios are content in offering UHD Blu-rays with HDR so long as SDR iterations (DVD, Blu-ray, non-home deliverables) remain available to consumers intent on seeing something more akin to the original presentation in terms of dynamic range. |
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#12960 | |
Senior Member
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