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#72461 |
Blu-ray Archduke
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I was sold on Seconds when people here compared it to an episode of The Twilight Zone. The fact that the cinematographer of Sweet Smell of Success worked it is icing on the cake, because I love that film.
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#72462 | |
Special Member
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#72463 |
Blu-ray Knight
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Its a good point, but if it can get a good Oscar bump and make some decent money so it can afford to expand good things may happen. As soon as it's head breaks above water a bigger distribution company with more cash than Criterion is going to scoop it up.
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#72465 | |
Expert Member
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#72467 | |
Active Member
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#72468 |
Blu-ray Prince
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No, I bought a copy in the plastic case directly from Barnes & Noble a couple months after it went out of print. It was definitely available in plastic.
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#72469 |
Active Member
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Oh ok Thanks, I was concerned there for a second that what I bought thinking was brand new, was actually a used copy. Wish I didn't wait so long to buy it!!!
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#72470 | |
Active Member
Jul 2012
midwest
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![]() Now that I've watched the film, I went back and read your review, which is superb. Thanks for pointing out the Belmondo/Godard references that appear in the movie, and Wexler's use of McLuhan as an explanatory model for thinking about the media, representation, meaning, reception, and control. I also really, really like that you mention in the review the English Poor Laws - as it turns out I'm extremely interested in that topic. I'm a university professor and one of my areas of research specialization is precisely the contentious histories of social assistance in England and the United States, particularly in the US South, and the powerful influence of the Poor Laws on patterns of relief and the social meanings of welfare. As much as I would like to think that college history courses and the history classroom comprise an effective forum for relating knowledge about a topic like the Poor Laws, I agree with you that works of fiction and the cinema often do a much better job at this. (Though the academic work of the historian Michael Katz is especially informative when it comes to the Poor Laws.) The accessibility and effectiveness of film for learning and thinking about history are among the core reasons that I love epics. Works like Ran, Kagemusha, and the Last Emperor draw me in not only because they are visually stunning - but also because they help me to visualize Japanese history and provide a context in which I can better understand different cultures and their pasts. I try to watch one movie per day, but have been on a bender lately - in a couple of days watched Ran, Kagemusha, Heaven's Gate, 3:10 to Yuma, Medium Cool, Life is Sweet, 25th Hour, and the Descendants. Of these films my favorite is Heaven's Gate. I think that it's my absolute favorite western. As I've mentioned before, I find the fiddle and roller skating scene to be one of the best cinematic scenes ever. It's just so folksy. The special features interview with the fiddler/composer is great, contains lots of information about how the music was put together, and helps to explain how that scene was constructed. Apparently, Cimino asked all of the extras, local folks from the places in which the film was being shot, to indicate any special talents. The front man for the band that had been hired to perform in the movie indicated that he could roller skate - and that's how the scene was born. Although the whole Eastern European immigrant subplot/context that is part of Heaven's Gate often gets chided as feeling tacked on or distracting, I actually find it to be one of the more charming and important aspects of the film: it complicates the meanings of manifest destiny, national identity and allegiance, and forms of social power that are represented in the film, and it is the basis for some wonderful cinematography of the huddled masses lurching west and for the remarkable folk/fusion music. Ran and Kagemusha - I'd seen them before but had forgotten their grandiosity, the lush colors, the ways that history blends together with fantasy, and the masterful direction of Kurosawa. He really threw everything into these later works, as though each would perhaps be his last. Last edited by shortmartin; 06-01-2013 at 02:58 AM. |
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#72471 |
Special Member
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Looks like I've secured myself a copy of Marienbad!
Also, since I just found out I had TCM yesterday, I decided to look at their schedule for the next couple months. All of July, they are running Truffaut marathons on Friday night, starting with The Adventures of Antoine Dionel on the 5th. I think I might make a night of it and watch them all, or at least from Antoine and Colette to Love on the Run. |
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#72473 |
Moderator
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#72476 |
Blu-ray Guru
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If anyone finds out if/when the B2G1 sale overlaps with the 40% off sale, could someone be kind enough to let me know what time that'll be in Melbourne, Australia? I'm really strapped for cash at the moment and have fallen a little behind on Criterions. Definitely need to catch up and this will be a great chance to catch up if indeed it does happen.
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#72478 | |
Blu-ray Samurai
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I wonder if I'll ever get lucky finding a nice used copy of The Third Man and end up not spending too much money. This would be a miracle of course. Will I give in and spend triple digits eventually? Or will I wait another year or two and somehow find this at a better price? Hmmmmm. ![]() |
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#72479 | |
Blu-ray Baron
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#72480 |
Active Member
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I finally watched Catherine Breillat's Fat Girl last night, and wow, this film really threw me for an unexpected loop. I knew very little about it going in and was instantly immersed in this tough, realistic examination of two adolescent sisters and the emotional repercussions that come to both of them when the elder, thinner, more conventionally beautiful sister loses her virginity. The final third I dare not give away, least of all the final unforgettable minutes, but Breillat was able to fill every frame with a sense of encroaching danger and unease, until...well...I was left very disturbed at the film's closing comment on the fallibility of life--and our ultimate fates. I loved this film.
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