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#5661 |
Member
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I am very concern about movies with HDR. I mean, in a photography taken from a dslr is a great improvement, but in a movie, it will change the original look and the timming color of the films. I don't known, but it doesn't seem very appealing to me.
What you guys think? |
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#5662 | ||
Senior Member
Oct 2007
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#5663 | |
Blu-ray Ninja
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Hopefully, we will have an easy reference as in, Real UHD/4K or Fake UHD/4K. |
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#5664 | |
Power Member
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Thanks given by: | Geoff D (09-04-2015) |
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#5666 | |
Blu-ray Guru
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You guys seem to be implying that there's no difference between the Fox UHD discs and a normal BD version upscaled by a 4K television. That is factually incorrect. All of the Fox titles have been re-graded in HDR and Wide Color Gamut, which together offer a greatly improved image that is not achievable by the regular blu ray. |
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#5667 | |
Retired Hollywood Insider
Apr 2007
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http://www.avsforum.com/forum/92-com...distances.html So, 43% of “scientists” believe it’s impossible to see UHD detail at HD distances despite the fact that vision science professionals (giving presentations at SMPTE/NAB gatherings) and hobbyists who own 4K/UHD displays (if they’ve watched enough high contrast (even just SDR) content on them that is) claim (correctly) that one can. Should people that read ‘science’ forums be as upset that these days there is more pseudo science and speculation than true science present? Heck, one could make the argument that the uneducated consumer is more harmed by how much wasted time he spends wading thru pseudo science labeled ‘science’ than he would by unknowingly purchase a 4K up-resed Ultra HD Blu-ray as opposed to a native 4K product. |
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#5668 | |
Retired Hollywood Insider
Apr 2007
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![]() However, in order to be completely transparent to Joe6Pack consumer with all the mastering pipeline information, I guess sometime in the future an asterisk could be added to the 4K part of the labeling (for upscales) but, if not, and anyone is that concerned over whether or not a motion picture is true 4K (https://www.youtube.com/watch?v=nhls...utu.be&t=3m57s ) or up-resed 4K, they can always do their due diligence in researching it or simply pose the question on this thread. Heck, I’ll even tell folks what is a common popular tool (scale node) that post houses use to up-res 2K material. |
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#5669 | |
Retired Hollywood Insider
Apr 2007
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#5670 | |
Blu-ray Emperor
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![]() ![]() UHD is one thing - the name having been pushed so as not to exclusively focus on 4K-rez content - but when something has 4K in the title it's not unreasonable to expect that it's actually genuine 4K. And the underlying threat is that if the studios do a lot of this and it flies under the radar, then there's even less scope for true 4K in the future because they'll just upscale their entire 2K back catalogues and slap on an HDR regrade with scant regard for the original intent of the filmmakers. Last edited by Geoff D; 09-04-2015 at 11:01 PM. |
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#5671 | |
Retired Hollywood Insider
Apr 2007
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Someone had to point it out but now that physical media (Ultra HD Blu-ray) is launching and it already has so many hurdles to overcome ![]() ![]() Be patient, you’ll be getting more native 4K UHD movies. |
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#5672 |
Retired Hollywood Insider
Apr 2007
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hah, not a chance for they know, I know where all the skeletons are buried. I already primed you guys for this situation back in July….
https://forum.blu-ray.com/showthread...e#post11066214 Now please get to the Prem league thread quickly cause I need some advice and I've got to get out of here by 1 P.M. |
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#5673 |
Blu-ray Emperor
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Yep, and I replied then saying 4K upscaling can and does look sensational (I've been living with consumer-grade processing of consumer-grade video on my 4K TV for over 2 years and I'm regularly bowled over by it, never mind all that fancy Deluxe stuff) but I'm still sceptical that all outfits will be able to deliver such a transparent upscale when mooks like Lionsgate still can't deliver 1080p video without banding.
As with 3D conversion, if it's done right then the results are amazing, if not then it can be embarassingly bad and a stain on the format, one which lingers in consumer's minds. There are folks who to this day haven't touched a 3D conversion because it's against their principles; UHD BD can't afford to start alienating people in that manner IMO. In spite of that, if the benefits of the HDR aspect quickly overtake such concerns - i.e. HDR becomes The Next Big Thing™ that people want over and above 4K - then I'll be happy to hold my hands up and say I was wrong. But there are some crazy people out there... |
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#5674 | |
Blu-ray Samurai
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"Conclusion: 4K vs. Ultra HD? After all the math is done, it is clear that the combination of higher resolution, HFR, and better pixels presents a significant challenge in terms of data rate. After all, 4K at 60 FPS currently uses 12G-SDI. While 4K seems to offer limited benefits under home viewing conditions, HFR, HDR, and WCG (along with immersive sound) yield benefits that extend into a wider (and more typical) range of viewing distances and environments. For the same degree of improvement, 4K data rates (pre- and post-compression) are eight times those of 720p or 1080i while the data rate increase for HFR is times two (or four if comparing to interlace), and the data rate increase for HDR and WCG is minimal. Viewing tests seem to indicate that 4K offers the lowest perceptual improvement compared with HFR and HDR. It also seems to demand a higher frame rate, and it definitely requires the highest pre- and post-compression data rate. At 60 fps, 4K equipment currently uses 12G-SDI connections; at 120-fps, will it require 24G-SDI? If so, will it preclude higher frame rates? Those planning for the future should consider all aspects of UHD, not just static spatial resolution." So, I say, save the data, since the increased resolution will not matter to most people. For marketing purposes, they should drop the 4K and just use UHD. The sooner the UHD Alliance defines this and sets standards, the better. That is still months away based on Hanno Basse's comments at IFA. |
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#5675 |
Blu-ray Emperor
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That's not a bad point either, ray. If there is a lack of widespread 100GB support at launch then there's no point cramming the 66GB discs with an upscale of 2K material (especially for something long-ish like Exodus) when they could put a fat 1080p P3 HDR encode on there instead and let the players or displays handle the upscaling.
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#5676 | ||
Blu-ray Samurai
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#5677 | |
Senior Member
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This will not happen though as I suspect there are more 4K capable TV sets WITHOUT HDR than with at this moment in time and that is one audience the studios maybe scared of alienating. The whole thing is a mess tbh and does not need the influence of a competing format like HD DVD this time to make this launch a disaster. Between the Consumer Electronics Companies, the BDA, the UHD Alliance and the Studios the whole thing is rapidly becoming a shambles all of their own doing. |
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Thanks given by: | Geoff D (09-04-2015), Richard Paul (09-05-2015) |
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#5678 |
Blu-ray Emperor
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Another good point Adrian. I mean, I was aware that the 4K name might now be too deeply ingrained in consumer's minds to just backtrack from, but such is my own distaste for this situation I kinda forgot that it's the user base who've got the early 4K sets who'll make up the bulk of the early UHD BD adopters by sheer weight of numbers. So if the studios start pushing all the other stuff (WCG, HDR) which those people can't use at the expense of the one thing they can readily identify with (4K) then it could all go sour very quickly. But the 4K label brings with it it's own pressures, e.g. providing actual 4K content for those people rather than 2K upscales with HDR which they can't take advantage of, in which case they might as well have just bought the regular Blu-ray anyway!
As you said, it's another fine mess the industry has gotten itself into. Last edited by Geoff D; 09-04-2015 at 11:03 PM. |
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Thanks given by: | Adrian Wright (09-05-2015) |
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#5679 | |
Retired Hollywood Insider
Apr 2007
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![]() ![]() If I recall correctly and given this current discussion, the most ironic thing is that of the viewing test to which Mark references (56-inch TVLogic monitor to be precise) is that it actually compared native 4K to upscaled 4K (from 1080p/50 and 720p/50) for its ‘value proposition’. |
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#5680 | ||
Retired Hollywood Insider
Apr 2007
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Last edited by Penton-Man; 09-05-2015 at 12:59 AM. Reason: fixed link |
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