|
|
![]() |
||||||||||||||||||||
|
Best Blu-ray Movie Deals
|
Best Blu-ray Movie Deals, See All the Deals » |
Top deals |
New deals
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
![]() $82.99 9 hrs ago
| ![]() $74.99 | ![]() $35.94 2 hrs ago
| ![]() $23.60 2 hrs ago
| ![]() $101.99 1 day ago
| ![]() $34.68 2 hrs ago
| ![]() $28.10 4 hrs ago
| ![]() $48.44 3 hrs ago
| ![]() $33.54 5 hrs ago
| ![]() $24.96 | ![]() $99.99 | ![]() $29.95 |
![]() |
#4662 | |||
Special Member
![]() Feb 2008
Region B
|
![]() Quote:
Quote:
Surely, if it was possible to put an increased colour depth video on Blu-ray, which it seems it might be (though would this be outside the Blu-ray spec?): Quote:
My question is, in reality, if the best source was given to the best consumer displays, how many colours per channel could they really reproduce in reality (eg. for the best available/soon to be available consumer Plasma/LCD/locally dimming LED backlit LCD HDTVs? and how do they compare to CRT?) Last edited by 4K2K; 08-12-2008 at 04:24 PM. |
|||
![]() |
#4663 |
Retired Hollywood Insider
Apr 2007
|
![]()
Just dropping in here for a quick well deserved tribute to Isaac Hayes
![]() http://www.youtube.com/watch?v=tZzBrxj-Gjo Likewise, R.I.P. Bernie Mack, as both of you will be missed. |
![]() |
#4664 | |
Retired Hollywood Insider
Apr 2007
|
![]() Quote:
Whenever Sling Blade eventually appears on Blu-ray, one should probably expect the Blu-ray movie to be much closer to the Director’s intent than the theatrical presentation was. Will explain later. |
|
![]() |
#4665 |
Retired Hollywood Insider
Apr 2007
|
![]()
Carry on.
Good back and forth discussion going on here. ![]() |
![]() |
#4666 | |
Expert Member
|
![]() Quote:
When you use a digital SLR, it will typically capture at 12 or 14 bits per channel depending on the model, and you can then work on the image at 16 bits per channel, but the main benefit of this is increased exposure latitude, and ability to apply manipulations such as curves without introducing banding. If you take a captured image and change it to 8 bits per channel without performing manipulations that stretch out the range, it will not have banding in it. The fact that these 8 bits per channel images do not appear to suffer from a lack of bit depth leads me to believe that there is little benefit to displaying at greater bit depth (however capturing and manipulating at greater bit depth is of benefit as noted above). |
|
![]() |
#4667 | |||
Power Member
|
![]() Quote:
Many graphics people scan film negatives and other materials at high bit depths, like 16-bits per channel, in order to bring out more shadow detail and control contrast and highlights better. The work is done in those wide bit depths (and sometimes odd color modes like L*a*b) to keep from chopping the image's histogram reading all to hell if you have to edit curves, levels, etc. The damage will happen if you acquire and manipulate the image entirely in 8-bit RGB mode. A 24-bit image with 8-bits per channel has 16.7 million variations of color/value. That's usually enough variation to hide any steps of banding that could be seen from down-sampling a 16-bit image without using destructive filters like dither. Quote:
Quote:
Newer LCD-TVs like the Sony Bravia XBR4/5 or the Samsung Series 7 750 do a much better job of displaying intense color and deep blacks than previous generations of LCD-TVs. But they're still not perfect. Although they may show some benefit of being fed a Deep Color 1080p/24 video stream, they may still be missing certain values already defined in the 8-bit range. 10-bit, 12-bit or 16-bit color is just providing a more even transition. Computer monitors are even more limited. Color intensity, black levels and actual response time for most LCD computer monitors is pretty bad compared to a dedicated HDTV. Even high priced LCD monitors designed for digital imaging have limits. I still do a lot of my graphic design work on CRT-based monitors. They still do a better job at showing very subtle earth tones as well as very light or very dark shades of gray. Color consistency on screen versus printed output is more reliable. Even with that, the phosphors in a CRT monitor limit the ability to hit certain shades of green and purple. With all of that stated, I think Deep Color may be overkill for current HDTV sets. Perhaps in another couple of years, as OLED-based televisions are perfected and other new display technologies arrive Deep Color may be useful. |
|||
![]() |
#4668 |
Active Member
Mar 2007
Ohio
|
![]() |
![]() |
#4669 | |
Blu-ray Champion
|
![]() Quote:
![]() Yea it is. ![]() |
|
![]() |
#4670 | |
Blu-ray Champion
|
![]() Quote:
how long before we see this in homes? and to benefit from 4K wouldn't we need very large screens?
|
|
![]() |
#4671 |
Retired Hollywood Insider
Apr 2007
|
![]()
Quick heads-up to anyone in the Silver Spring area, (that be Marylanders, and people living in D.C. and Northern Virginia – that be you Josh!- news dude)……….
LoA is showing tomorrow and Thurs. http://www.afi.com/silver/new/ or a more specific direct link………….. http://www.afi.com/silver/new/nowpla...ean.aspx#lawre And please no questions regarding updates to the appearance of this title on Blu-ray…….because I aint answering them anyway. |
![]() |
#4672 | |
Special Member
Dec 2007
|
![]() Quote:
|
|
![]() |
#4673 | |
Power Member
|
![]() Quote:
At best, we'll continue to see computer monitors get bigger and loaded with higher native resolutions. Tasks involving graphic design, image editing, video editing, mapping, architecture/engineering and science can all make practical use of ever higher resolution displays. The problem with 4K televisions is a fundamental lack of content. Very few movies processed via digital intermediate have a 4K resolution finished product. Most end up at 2K. Until 4K replaces 2K as the DI standard and builds up at least a couple hundred or so quality titles there won't be much justification at all to make 4K televisions and a new video format to deliver 4K. Additionally, as you mentioned, viewers would need a large (and expensive) monitor to see the added benefit. Last edited by Bobby Henderson; 08-13-2008 at 02:14 AM. |
|
![]() |
#4674 | |
Blu-ray Count
Jul 2007
Montreal, Canada
|
![]() Quote:
32 is the colour bitdepth used by PCs and for the screan shot, 2^20 is used because most file systems give MiB instead of MB so I just wanted to point out that it would not be the correct numbers for a movie. Sorry if I mislead anyone in my previous post. |
|
![]() |
#4675 | |
Power Member
|
![]() Quote:
|
|
![]() |
#4677 |
Power Member
|
![]()
Isn't that the NTSC standard? Very low values and very high values produced problems with the analog signal, so black was defined as 16 and white as 235 (The "NTSC safe" range).
|
![]() |
#4678 | |
Blu-ray Insider
Jan 2007
Milpitas, CA, USA
|
![]() Quote:
![]() Some players do an 8-bit to 12-bit conversion after decoding the video...which is outside the Blu-ray specs. |
|
![]() |
#4679 |
Moderator
|
![]() |
![]() |
#4680 |
Active Member
Sep 2006
|
![]()
Hey PM,
I apologize in advance for beating the dead horse with these questions: 1) Will Close Encounters and Blade Runner get single disc editions? 2) Will we ever see the unrated Live Free or Die Hard on blu ray? 3) Are Ghostbusters 1 and 2 still on track for October? Thanks! |
|
|
![]() |
![]() |
![]() |
||||
thread | Forum | Thread Starter | Replies | Last Post |
Ask questions to Compression Engineer insider "drmpeg" | Insider Discussion | iceman | 145 | 01-31-2024 04:00 PM |
Ask questions to Blu-ray Music insider "Alexander J" | Insider Discussion | iceman | 280 | 07-04-2011 06:18 PM |
Ask questions to Sony Pictures Entertainment insider "paidgeek" | Insider Discussion | iceman | 958 | 04-06-2008 05:48 PM |
Ask questions to Sony Computer Entertainment insider "SCE Insider" | Insider Discussion | Ben | 13 | 01-21-2008 09:45 PM |
UK gets "Kill Bill" 1&2, "Pulp Fiction", "Beowulf", "Jesse James", and more in March? | Blu-ray Movies - North America | JBlacklow | 21 | 12-07-2007 11:05 AM |
|
|