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#9581 | |
Retired Hollywood Insider
Apr 2007
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But, Have been holding back on bringing the technology to theater operators because “it remains to be seen if now is the right time to bring 4K to market” -as per a statement from a TI spokesperson from last May. It seems that their(TI’s) theatrical resolution philosophy drastically changed shortly after the Regal-Sony announcement. ![]() I’m glad they now appreciate the fact that Super35 film as well as RAW capture from a RedOne camera or digital acquisition from a Dalsa Origin have an effective resolution closer to 4k than 2k. |
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#9582 | |
Retired Hollywood Insider
Apr 2007
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I received this in a PM this morning…………. “Penton, Amir LIVES!”…….. http://www.ultrahighendforum.com/vie...php?f=140&t=71 ^ I see he has modified his Signature since the days of AVS. |
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#9583 | ||
Power Member
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Another problem is professional digital projectors use 3-chip DLP arrays (or 3-chip LCOS systems in Sony's case). I'm wondering what kinds of convergence problems could arise with 3 wobulated DLP chips trying to work in sync with each other. Quote:
As a matter of principal it is a good thing to have more than one 4K solution. But the question remains as to whether Texas Instruments' new DLP thing is really 4K or not. Anything less than 4096 X 2160 native resolution will be seen as a scam. The other problem is the high cost of producing DLP chips. Sony can produce the 4K LCOS imagers in its d-cinema system for less money than it costs to make a 2K DLP chip. Sony is selling its 4K projectors for a considerably lower price. Both Sony and TI are not profiting well at all from their d-cinema systems. Since rear projection based HDTV sets all but disappeared from the market TI's DLP business has largely dried up as well. The biggest market for DLP chip sales now is in computer projectors. That's a niche market. More office board rooms are installing big flat panel displays. Intel saw this happening and killed its plans for making LCOS imaging chips. Sony may actually lose a lot of money in its d-cinema business. However the company may profit in the bigger picture from the marketing tie in with its HDTV and home theater products. TI doesn't have that alternative with DLP. |
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#9584 |
Retired Hollywood Insider
Apr 2007
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hah,
And yet another PM to me linking yet another outside forum..... http://www.hometheaterforum.com/htf/3574001-post32.html ^ Jeff, I really wish you and Bill would get your act together because being accused of "as reliable as flipping a coin" is no laughing matter. |
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#9585 | |
Power Member
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I too hope that TI is indeed using a true 4K chip, I am with you there. The issues that I saw with Sony's 4K weren't brightness, it was sharpness and convergence. Both were quite poor at the theater I went to, and it was a new install, which is even more disappointing. While I do occasionally see convergence issues with 2K D-Cinema presentations, it is rare, and the image tends to be quite sharp every time. The biggest complaint I have is contrast levels, which aren't even close to what we can achieve at home, and the ambient light in the theater doesn't help. Sony needs anything it can get to keep their SXRD technology afloat. They've been pitching it to everyone in the industry trying to get more adoption. Right now it looks like LG might start using it but that is about it. They ceased production of their rear projection applications and have been nearly liquidating their front projection units with lower prices coming in all the time (including their 1st generation 4K projector). I hope this D-Cinema move helps them out because I actually like the technology and want to see Sony continue to develop it, especially for the HT market. |
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#9587 | |
Power Member
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North Potomac, MD
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![]() Happy fathers day to all! |
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#9588 | |
Active Member
Apr 2008
Hertfordshire, England
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M |
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#9589 | |
Retired Hollywood Insider
Apr 2007
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The family picked one up for me (completely unexpected on my part ![]() It was delicious. Thanks for the heads-up. ![]() |
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#9590 | |
Retired Hollywood Insider
Apr 2007
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I stopped reading what he posted after I left AVS along with paidgeek and anyone please feel free to correct me if I’m wrong because I don’t like to post incorrect information but, wasn’t he at one time defending the use of lossy audio codec over lossless? That seems somewhat of a contradiction to later being assigned to a moderator position on an “ultra high end” audio home theater forum. |
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#9591 |
Retired Hollywood Insider
Apr 2007
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Since there’s a golf tournament currently going on, I just want to bring peoples’ attention to this recently released Blu-ray title which is flying under the radar on this forum……….
https://www.blu-ray.com/movies/movie...ow=userreviews Great story……..and you don't have to be a golfer or even know much of anything about golf to appreciate it as one of the subplots is the relationship of a father with his son. |
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#9592 | |
Blu-ray Count
Jul 2007
Montreal, Canada
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#9593 | |||
Active Member
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And he seems to be taking sole credit for Managed Copy: Quote:
I guess he thought of Managed Copy all on his own, huh?...probably sitting on the toilet. ![]() I wonder if he will try to convince the folks at the ultra high end forum that lossless audio on blurays is superfluous and that DD+ is transparent on their $50k sound systems! I would think they would be more difficult to convince than the lemmings at AVS. What an a$$. |
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#9594 |
Retired Hollywood Insider
Apr 2007
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That reminds me (this recent talk of Amir), since it’s looking like I’ll be away for a few days during the first week of July, in case I forget, here’s a head’s up to those people that still venture into public theaters these days, as this feature film starts playing nationwide on July 1st, I believe………
https://forum.blu-ray.com/showthread...es#post1811122 Now, I encourage all the reviewers out there all over internet land who have even the slightest chance of reviewing this movie when it eventually debuts on Blu-ray, to actually attend a theatrical screening so you have some basis for your future video quality assertions on your upcoming Blu-ray reviews several months from now in regards to this flick. |
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#9595 | |
Blu-ray Duke
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#9596 | |
Power Member
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But the total sales volume on those products is pretty low. Bulky rear projection HDTV monitor sales was the core market for DLP. No longer. It's a rare thing to find a RPTV on sale in any electronics store. Most everything is flat panel LCD with the only exception being flat panel plasma. DLP has no foothold in the flat panel market. Any chip fabrication plant must produce and sell chips by the many thousands or even millions to be profitable. There is nowhere near enough commercial movie theater screens in existence to provide enough of a revenue stream for DLP to be profitable. The same holds true for Sony's LCOS. However, as I said earlier, Sony can throw away money cornering the d-cinema market in order to provide a bigger marketing boost to its home theater products. It's just a brand promotion ploy. Use a commercial movie theater screen as another type of billboard to display the Sony brand name. That really has to be the play Sony is making because it's really the only logical reason why they would even be bothering with 4K d-cinema projectors in the first place. In the long run Sony probably could use 4K d-cinema as a source to launch the successor of Blu-ray in another 7-10 years. They'll just bring out some 4K flat panel TV sets that don't have a thing to do with LCOS or "SXRD" but they'll still have the Sony brand name on them -just like the stuff in the movie theater. Last edited by Bobby Henderson; 06-22-2009 at 03:24 AM. |
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#9598 |
Power Member
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Perhaps Penton could give an insider's view regarding the future(streaming/digital downloads, etc.) in regards to the length of blu-ray's existence as a format. It would seem the bandwidth we now have isn't near enough to replace all the Blockbuster video's and/or blu-ray as a medium.
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#9599 |
Power Member
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That topic has been discussed repeatedly, with certain participants ending up merely agreeing to disagree. My feeling is Blu-ray won't have any credible competition from Internet downloads for at least a few more years. On top of that many people still like buying packaged media.
The United States' Internet infrastructure on the whole is just way too slow to allow things like real time streaming of HD movies and other videos with quality levels similar to Blu-ray. While there may be lucky little spots where customers can get fiber optic-based service potentially delivering tens of millions of bits per second those same customers are stuck with communicating with the rest of the Internet which is running far slower. I don't see 20Mb/s - 30Mb/s connection speeds becoming common at all for several more years. Once the Internet can deliver those speeds to most of the nation then some big changes in business and entertainment will take place. |
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#9600 | |
Blu-ray Ninja
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