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#2941 |
Active Member
Feb 2007
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#2942 |
Power Member
Aug 2005
Sheffield, UK
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#2943 | |
Retired Hollywood Insider
Apr 2007
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Here’s a heads-up that may be worthy of your further attention. It could serve either as a challenge to your visual acuity…… or, at the very least, an interesting example of how close some digital cameras can/are approaching the *film look*. “Deception” debuted in U.S. theaters sometime last month, so it may be arriving in your area of the world in a couple months or so. The young whipper-snapper that had decision-making power regarding the primary photography wanted the whole feature shot on film. The old-timer who also had a great deal of input as to the primary photography desired to shoot the entire production with a digital camera. Can you imagine that, i.e. the role reversal aspect? Anyway, to make a long story short, they decided to roughly split the difference and use both a film camera and a digital camera for capture. See if you can recognize which scenes were captured with which type of camera. You’ll probably figure it out but, I’ll bet that if you go to the cinema with a group of friends or colleagues, they will have a tough time even noticing any difference related to capture device. b.t.w.– don’t bother on checking the tech specs for this film on imdb because the last I noticed, they are incomplete or non-specific. |
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#2944 | |
Retired Hollywood Insider
Apr 2007
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http://www.youtube.com/watch?v=qGxuqS-MFJw For example, a fellow member has informed me that Amir’s latest red seed planted on *the other forum* was to question the motives of Bill Hunt’s upcoming quest to alert a major Hollywood studio in regards to inappropriate grain reduction techniques. It seems our retired person is stating this (which I’m taking directly from one of my PM’s, so I assume it’s accurate word for word)…. “As to Hunt's initiative here, it is appreciated of course, but one wonders if he is trying more to defend the BD format rather than artistic intentions. He is probably genuine but given the history, one would wonder if film scratches were the issue, he would write that they should be in there too, because "that is film." ^ Unbelievable, just unbelievable! Doesn’t this guy ever stop with the nonsense? Amir, given your history, did you ever wonder how many hundreds of dollars you cost early adopters in the purchase of HD DVD players when they might have put that same money to better use today? I think it’s time for somebody to repost that tombstone pic to refresh everyone’s memory. Oh well, I guess some things never change. |
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#2945 |
Retired Hollywood Insider
Apr 2007
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#2946 | |
Moderator
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Gary |
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#2947 | |
Retired Hollywood Insider
Apr 2007
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I don’t read what he says, just excerpts I get from PM’s that people send me. |
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#2948 | |
Blu-ray Samurai
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#2949 |
Active Member
Sep 2006
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#2950 |
Banned
Jul 2007
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ASC Magazine spilled the beans already...
Last edited by mhafner; 05-12-2008 at 07:53 AM. |
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#2951 |
Retired Hollywood Insider
Apr 2007
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Sheeeeeeeeeeeeeeeesh !
The dang picture just debuted in the U.S. about 3 weeks ago! I had thought there would be more lag time for something like that. Like for instance…. 6 months or so. Give us a link if you’ve got the time. Maybe I can still add something. |
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#2953 |
Blu-ray Guru
Feb 2007
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Well justice may be served in the end on the space issue.
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#2954 | |
Junior Member
Sep 2006
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So, all issues about transfers, scratches, encodes, DNR, grain, EE, etc. are totally the same between the two formats. If Warners happens to make a VC-1 encode with DNR, it is going to look identical on the two formats. Independent reviewers saw this release after release. If Amir wants to comment on handling grain and scratches, that is fine, but it has no bearing on the differences (such as they are) between the Blu-ray format and the now defunct HD DVD format. Amir will have more credibility in his new job with Widescreen Review if we moves away from this sort of thing. Resurrecting the format war will become more and more peculiar as time goes on. |
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#2955 | |
Banned
Jul 2007
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http://www.ascmag.com/magazine_dynam...08/current.php But the article is not online. They need to sell some magazines after all. The Genesis footage is.... (don't read if you don't want to know.) most of the night time location work. |
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#2956 |
Banned
Jul 2007
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Low on-off contrast was/is my number one pet peeve with digital projectors. Till JVC came along with the HD1/RS1 which was the first digital good enough for me in that department to buy one. The cinema models are stuck at ~5-7 times lower than the JVC. But JVC does 4K too. And one day we might see better contrast 4K in the cinema as we see now better 1080p contrast at home.
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#2957 | |
Blu-ray Ninja
![]() Jul 2007
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![]() http://www.avsforum.com/avs-vb/showp...8&postcount=19 Take a gander at the rest of that thread if you've got time. There a lot of interesting posts contained therein, not just from certain retirees. |
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#2958 | |
Moderator
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So, if the A-man starts talking in terms of BD defense, I think perhaps we should shine the spotlight back. He's fighting lossless audio too. Is it just coincidence that everything he takes a swipe at happens to need the BD bandwidth to accomplish? Basically he's implying Bill wants something solely because BD can handle it and other formats (HD DVD, downloads) could and can not. This was a common accusation on many over the last few years. And it always seemed to me to be a pot/kettle issue. Gary |
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#2959 |
Blu-ray Baron
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Hi Penton,
I thought I'd give you some Monday morning humor to start your week. ![]() http://www.avsforum.com/avs-vb/showt...925329&page=17 |
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#2960 | |
Retired Hollywood Insider
Apr 2007
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and how many subscriptions they will lose by folks familiar with his history? |
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